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'Can we not build up a national tradition, a national literature, which shall be none the less Irish in spirit from being English in language?' W. B. YeatsThis anthology traces the history of modern Irish literature from the revolutionary era of the late eighteenth century to the early years of political independence. From Charlotte Brooke and Edmund Burke to Elizabeth Bowen and Louis MacNeice, the anthology shows how, in forging a tradition of theirown, Irish writers have continually challenged and renewed the ways in which Ireland is imagined and defined. The anthology includes a wide-ranging and generous selection of fiction, poetry, and drama. Three plays by W. B. Yeats, Augusta Gregory, and J. M. Synge are printed in their entirety, along with the opening episode of James Joyce's Ulysses. The volume also includes letters, speeches, songs,memoirs, essays, and travel writings, many of which are difficult to obtain elsewhere.'Stephen Regan's anthology vividly and valiantly presents a nation, and a national literature, coming into being.' Paul Muldoon
Seamus Deane, one of Ireland's most important critics, assesses here the place of literature in "a colonial or neo-colonial culture like ours, where the naming of the territory has always been ... a politically charged act". The force of Deane's A Short History of Irish Literature derives precisely from his naming of the territory. With insight, erudition, and a razor-keen style, he locates Irish writers within the island's traumatic history. His aim is to show how literature has been inescapably allied with historical interpretation and with political allegiance.
Provides a history of literature in the Irish language from the fifth century to the twentieth. This book traces the development of manuscripts from the Latin records made by monastic scribes and the vernacular works of ecclesiastics and lay scholars. It describes the fall of the native order and offers appraisals of the work of Irish writers.
In a volume that has become a standard text in Irish studies and serves as a course-friendly alternative to the Field Day anthology, editors Maureen O’Rourke Murphy and James MacKillop survey thirteen centuries of Irish literature, including Old Irish epic and lyric poetry, Irish folksongs, and drama. For each author the editors provide a biographical sketch, a brief discussion of how his or her selections relate to a larger body of work, and a selected bibliography. In addition, this new volume includes a larger sampling of women writers.
This is the second of four collections of essays intended to be published under the general title Studies in Contemporary Irish Literature (only two were) which are devoted to critical analysis of Irish writing since the 1950s.
From Gaelic annals and medieval poetry to contemporary Irish literature, A History of Irish Literature and the Environment examines the connections between the Irish environment and Irish literary culture. Themes such as Ireland's island ecology, the ecological history of colonial-era plantation and deforestation, the Great Famine, cultural attitudes towards animals and towards the land, the postcolonial politics of food and energy generation, and the Covid-19 pandemic - this book shows how these factors determine not only a history of the Irish environment but also provide fresh perspectives from which to understand and analyze Irish literature. An international team of contributors provides a comprehensive analysis of Irish literature to show how the literary has always been deeply engaged with environmental questions in Ireland, a crucial new perspective in an age of climate crisis. A History of Irish Literature and the Environment reveals the socio-cultural, racial, and gendered aspects embedded in questions of the Irish environment.
»He single-handedly killed the 19th century.« T. S. Eliot »James Joyce revolutionized 20th-century literature.« Time Magazine With Dubliners [1914], James Joyce aimed to cast his hometown, the experiences of his upbringing, in an unforgiving light. Considering how people, especially men, are portrayed here, it's no wonder that it took many years of constant rejections before Dubliners was finally published, in the fateful year of 1914 for Europe. The language in which all events are depicted is so vivid, incessantly so close to the very heart of the events, that James Joyce's first prose work has become one of the immortal classics. JAMES JOYCE [1882-1941], Irish author, is a key figure in modernist literature with works such as Dubliners [1914], A Portrait of the Artist as a Young Man [1916], and Ulysses [1922].
A discussion of the rich written heritage of the Old and Middle Irish period, 600-1200. Chapters deal with such topics as druids, monks, poets, the beginnings of writing manuscripts, saga cycles, and stories about kings, kingship and sovereignty goddesses.
Vance moves from a brief survey of Irish literature prior to 1800 onto the contexts of Irish writing since 1800 covering, romanticism, the Victorian period, the Literary Revival and contemporary Irish writing. He also looks at Ireland in Europe and the Atlantic world, Irish cultural debates and current affairs as contexts for recent and contemporary literature.