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Anthony Burgess draws upon an autobiographical episode to create Beard's Roman Women, the story of a man haunted by his first wife, presumed dead. But is she? A marvellously economical book, full-flavoured, funny, and heartfelt, showing its author at the height of his powers. This new edition is the first to be published with David Robinson's photographs for over 40 years. The text of the novel has been restored using the original typescripts, and Graham Foster's new introduction provides valuable insight into the fictional and biographical contexts of the novel. The text is fully annotated with a detailed set of notes and this edition includes the previously unpublished script for Burgess's television film By the Waters of Leman: Byron and Shelley at Geneva, and a rare piece of Burgess's writing about Rome.
Puma - disentangled from the three-part structure of The End of the World News and published here for the first time in its intended format - is Anthony Burgess's lost science fiction novel. Set some way into the future, the story details the crushing of the planet Earth by a heavyweight intruder from a distant galaxy - the dreaded Puma. It is a visceral book about the end of history as man has known it. Despite its apocalyptic theme, its earthquakes and tidal waves, murder and madness, Puma is a gloriously-comic novel, steeped in the rich literary heritage of a world soon to be extinguished and celebrating humanity in all its squalid glory. In Burgess's hands this meditation on destruction, mitigated by the hope of salvation for a select few, becomes powerful exploration of friendship, violence, literature and science at the end of the world. Puma is both the perfect way to for readers new to Burgess to discover one of the twentieth century's unique literary voices, and an essential addition to his better-known writings for those already familiar with his work
'What can literature and music do for each other?' In This man and music, novelist and composer Anthony Burgess explores the topic, touching on composition, poetry, prose, and his own personal experiences.
Anthony Burgess draws on his love of music and history in this novel he called “elephantine fun” to write. A grand and affectionate tragicomic symphony to Napoleon Bonaparte that teases and reweaves Napoleon’s life into a pattern borrowed—in liberty, equality, and fraternity—from Beethoven’s Third “Eroica” Symphony, in this rich, exciting, bawdy, and funny novel Anthony Burgess has pulled out all the stops for a virtuoso performance that is literary, historical, and musical.
Mozart and the Wolf Gang is a kaleidoscope of a book, which stretches even the bounds of Anthony Burgess's fictions.. With its sizzying swirl of formal and thematic invention, this slim book may strike one as something even more impossible that any of Burgess' earlier tours de force.
A new edition of Anthony Burgess's first novel, set in Gibraltar during the Second World War. Loosely based on Virgil's Aeneid, the book describes the anti-heroic army career of Richard Ennis, a thwarted composer. The introduction and notes describe the publishing history and the autobiographical context of this lost masterpiece.
Following the death of her father, an irregularly employed pianist, Ellen Henshaw becomes a high-class prostitute in Paris during the 1930s and then founds a chain of schools to instruct men in the arts of love and music.
Kicked out of college and harassed by his lawyer, Miles Faber abandons New York and embarks on a defiant pilgrimage across the Caribbean to find the shrine of Sib Legeru, an obscure poet and painter. But in the streets of Castita's capital, where a wild religious festival is in full swing, a series of bizarre encounters - including his own repulsive doppelgänger (the son of a circus bird-woman) - and disturbing family revelations await Miles, who soon finds himself a willing victim of dynastic destiny. A darkly surreal comedy of dazzling linguistic inventiveness, MF is an outrageous tale of blood, lust and the machinations of fate.