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Lurking in the Deep
Now there's a reason to fear the water. Does the water beckon you? Your love, or fears, may become greater in this chilling anthology. From ordinary sea life to creatures of myth, our stories will make you think twice about the shadowy waters that beckon below. Follow our authors into the depths ... if you dare. Stories and Contributors include: Bloodslick by Timothy Black Crescent's Creature by K.C. Finn Wrath by Liz Butcher A Senseless Eating Machine by Jef Rouner The Water's Edge by Jacqueline E. Smith The Reluctant Seamstress by Jaidis Shaw Ribbons & Bones by Kelly Matsuura Widow's Cut by Andrea L. Staum Rhine Maiden by Isabelle Poldervaart The Broken Seashell by E.M. MacCallum Lauren by Terry Alexander Tide Flats by Shelly Schulz Song of the Ocean by Scott A. Butler Enticing Waters by Gina A. Watson Tubular Hells by Beth W. Patterson Dark Waters by Michael Cross & Emma Michaels
The Legacy of Nazi Occupation
This book analyses how France, Belgium and the Netherlands emerged from the Second World War.
The Postcolonial Low Countries
The Postcolonial Low Countries is the first book to bring together critical and comparative approaches to the emergent field of neerlandophone postcolonial studies. The collection of essays ranges across the cultures and literatures of the Netherlands and Belgium and establishes an encounter between postcolonial theoretical discourses from both within and without the region. Each one of the contributions puts under pressure the definitive concepts of postcolonial studies in its more conventional anglophone or francophone formation, as well as perceptions of the Low Countries, Belgium and the Netherlands, as lying outside or to the side of the postcolonial domain. In the Low Countries, local ...
A rainbow in the fountain
In 2012, Arjan Tupan decided to write and publish a poem each day. From the 366 poems he wrote in 2012, 51 are selected and published in A rainbow in the fountain. With the addition of the poem from which this book borrows its title, there's a poem for each week in a year to enjoy. Some of the poems were selected by poetry lovers who have funded the book in a crowd funding campaign, others were nominated by visitors of the A Poem Each Day website. And so, this poetry collection is a true work of collaboration between poet and readers.
Spook Lights: Southern Gothic Horror
Pull up a rocking chair and sit a spell. Soak in these tales of Southern Gothic horror: A witchdoctor's niece tells him a life-altering secret, an investigator who keeps a 100% confession rate.... These are stories where the setting itself becomes a character-fog laced cemeteries, sulfur rich marshes-housing creatures that defy understanding and where the grotesque and macabre are celebrated. The true horror is in what you can't see...until it's sitting right next to you. Eden Royce delivers a sultry and spicy dose of Southern Gothic. The stories are rich in flavor and clever in metaphor, the horrors completely surreal or-far more unnerving-all too possible. She brings a refreshing perspective to the table that paranormal lovers are sure to enjoy. -B.D. Bruns, author ofThe Gothic Shift You can feel the warm thick air, the rich history and legends, the desperation of the impoverished, and the deep horror of the betrayed. -Roma Gray, author of Gray Shadows Under a Harvest Moon"
Feminist Activism at War
This book describes, compares, explains, and contextualises the positionings, i.e. discourses and activities, which feminists in Belgrade, Serbia and Zagreb, Croatia produced in relation to the (post-)Yugoslav wars of the 1990s. Two types of positionings are analysed: those which the feminists have produced on the (sexual) war violence and those which they have produced on each other. Applying a Bourdieuian framework and using interviews with key feminist and peace activists in the region alongside a thorough examination of organisational documents and printed media articles, Ana Miškovska Kajevska challenges the common suggestion that the outbreak of the war violence in 1991 led to the sam...
