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Until I Return: The Selected Plays of Ismail Khalidi
Discover the complex histories and experiences of the Palestinian people through the work of Ismail Khalidi. With compelling characters, engaging storytelling, quick-witted humor, and unwavering political commitment, Khalidi has entertained and informed audiences in America and around the globe, providing diverse perspectives on the Palestinian experience from the British Mandate era to the challenges faced under occupation today. This new collection spans Khalidi's career, featuring both his early monodramas and never-before-published new plays. An essential intervention in academic and artistic discourses that often overlook or marginalize Palestinian and Arab voices, Khalidi's work proves him to be an influential figure on an international scale, bridging the Americas and the Middle East. Until I Return: The Selected Plays of Ismail Khalidi further contextualizes his work with an essay by Professor Edward Ziter (NYU Tisch, USA), an enlightening interview with the playwright conducted by the editors, and an annotated timeline of Khalidi's life, giving comprehensive insight into both the playwright and his impact.
Returning to Haifa
You haven't asked, but yes, you both may stay in our house for the time being. And use our things. I figure it'll take a war to settle it all.A compelling story of two families - one Palestinian, one Israeli - forced by history into an intimacy they didn't choose. In 1948, Palestinian couple Said and Safiyya fled their home during the Nakba. Now, in the aftermath of the 1967 Six Day War, the borders are open for the first time in twenty years, and they dare to return to their home in Haifa. They are ready to find someone else living where they once did, but nothing can prepare them for the encounter they both desire and dread with the son they had to leave behind.Ghassan Kanafani's classic novella Returning to Haifa has been adapted for the stage by Naomi Wallace and Ismail Khalidi. The play premiered at the Finborough Theatre, London, in February 2018 to coincide with the seventieth anniversaries of both the Nakba or 'catastrophe' - the mass dispossession of the Palestinians in 1948 - and the foundation of the State of Israel.
Inside/Outside
Due to the enormous—and ever-growing—interest in Palestinian plays around the world, Inside/Outside brings together six dynamic Palestinian playwrights from both Occupied Palestine and the Diaspora, making it the very first collection of its kind. These plays take on Palestinian history and culture with irreverence, humor, and, above all, an electrifying creativity. This anthology will be a vital contribution to world theater, introducing six political, social, and culturally relevant plays by Palestinian authors living inside the country, and those of descent living outside: Handala adapted by Abdelfattah Abusrour; 603 by Imad Farajin; Keffiyeh/Made in China by Dalia Taha; Plan D by Hannah Khalil; Tennis in Nablus by Ismail Khalidi; and Territories by Betty Shamieh. Naomi Wallace's award-winning plays, which include One Flea Spare and The Fever Chart, are produced in the United States and around the world. Wallace is a recipient of an Obie Award, the MacArthur Fellowship, and the inaugural Windham Campbell prize for drama in 2013. Ismail Khalidi is a playwright and poet. His plays include Tennis in Nablus, Truth Serum Blues, and Sabra Falling.
The Hundred Years' War on Palestine
THE SUNDAY TIMES AND NEW YORK TIMES BESTSELLER 'Riveting and original ... a work enriched by solid scholarship, vivid personal experience, and acute appreciation of the concerns and aspirations of the contending parties in this deeply unequal conflict ' Noam Chomsky The twentieth century for Palestine and the Palestinians has been a century of denial: denial of statehood, denial of nationhood and denial of history. The Hundred Years War on Palestine is Rashid Khalidi's powerful response. Drawing on his family archives, he reclaims the fundamental right of any people: to narrate their history on their own terms. Beginning in the final days of the Ottoman Empire, Khalidi reveals nascent Palest...
Six Plays of the Israeli-Palestinian Conflict
A bold and singular collection of six plays by Arab and Jewish playwrights explores the human toll of the Israeli-Palestinian conflict: The Admission by Motti Lerner, Scenes From 70* Years by Hannah Khalil, Tennis in Nablus by Ismail Khalidi, Urge for Going by Mona Mansour, The Victims by Ken Kaissar, and The Zionists by Zohar Tirosh-Polk. Rather than striving to achieve balance and moral equivalency between "competing" narratives, the plays investigate themes of identity, justice, occupation, exile, history and homeland with honesty and integrity. The plays do not "take sides" or adhere to ideological orthodoxies but challenge tribalism and narrow definitions of nationalism, while varying widely in thematic content, dramatic structure, and time and place. Where politicians and diplomats fail, artists and storytellers may yet succeed--not in ratifying a peace treaty between Israel and Palestine, but in building the sort of social and political connectivity that enables resolution.
Double Exposure
The first of its kind, Double Exposure: Plays of the Jewish and Palestinian Diasporas is a groundbreaking anthology about the Israeli-Palestinian conflict penned by Diaspora playwrights of Jewish and Palestinian descent. Featuring compelling interviews with each playwright and introductions by acclaimed dramatists Karen Hartman and Betty Shamieh, this volume of seven plays--three by Jewish playwrights, three by Palestinian playwrights, and a collaboration by both--tackles one of the remaining thematic taboos for many theatres in the Western world. Varying in genre between drama and comedy, in aesthetic between realism and surrealism, in setting between the Diasporas and Israel/Palestine, and in the political opinions of characters, Double Exposure offers distinct Diaspora perspectives that turn the political into the personal. This collection includes The Peace Maker by Natasha Greenblatt; Sabra Falling by Ismail Khalidi; Bitterenders by Hannah Khalil; Facts by Arthur Milner; Sperm Count by Stephen Orlov; Tales of a City by the Sea by Samah Sabawi; and Twenty-One Positions: A Cartographic Dream of the Middle East by Abdelfattah AbuSrour, Lisa Schlesinger, and Naomi Wallace.
The Iron Cage
A brilliant and sobering critique of the Palestinian failure to achieve statehood, by a major Palestinian historian and political commentator At a time when a lasting peace between Palestinians and Israelis seems virtually unattainable, understanding the roots of the longest-running conflict in the Middle East is an essential step in restoring hope to the region. In The Iron Cage, Rashid Khalidi, one of the most respected historians and political observers of the Middle East, examines the Palestinian’s struggle for statehood, presenting a succinct and insightful history of the people and their leadership throughout the twentieth century. Ranging from the Palestinian struggle against colonial rule and the establishment of the State of Israel to the current rivalry between Hamas and Fatah, this is an unflinching and sobering critique of the Palestinian failure to achieve statehood, as well as a balanced account of the odds ranged against them. Lucid yet challenging, Rashid Khalidi’s engrossing narrative of this tortuous history is required reading for anyone concerned about peace in the Middle East.
The Revolution of 1908 in Turkey
This is a detailed account and an excellent narrative history of the often neglected period 1906-1908 in Turkey, in which the prelude and aftermath of the revolution and elections of 1908 took place. The year 1908 opened a new era of representative government and the social and political developments leading to the overthrow of the ancien régime are carefully and fascinatingly given. Historians and general readers will find The Revolution of 1908 in Turkey a thought-provoking book, which will resound in the discussion of the validity of Kemalist or quasi-Kemalist historiography and therefore provide a major contribution to the field.
Arab American Drama, Film and Performance
Beginning with early Arab American playwright, poet and novelist Kahlil Gibran and concluding with contemporary playwright Yussef El Guindi, this book provides an historical overview and critical analysis of the plays, films and performances of self-identified Arab Americans. Playwrights, filmmakers and performers covered include Ameen Fares Rihani, Danny Thomas, Heather Raffo, Ahmed Ahmed, Mona Mansour and Cherien Dabis. These artists, traditionally underrepresented in entertainment, publishing and academia, have created works that exemplify the burgeoning Arab American arts movement. By addressing cinema, stand-up comedy and solo performance, the author introduces audiences to contemporary genres that are shaping Arab American culture in the United States.
