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Music and Institutions in Nineteenth-Century Britain
In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music's inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became 'musicalized'. Individual essays explore amateur societies that promoted music-making; institutions that played host to music-making groups, both amateur and professional; music in diverse educational institutions; and the relationships between music and what might be referred to as the 'institutions of state'. Through all of the essays runs the theme of the various ways in which institutions of varying formality and rigidity interacted with music and musicians, and the mutual benefit and exploitation that resulted from that interaction.
The Cambridge Companion to Women Composers
Exploring a diverse, distinguished repertoire, and transcending the rhetoric of neglect, this book transforms understanding of women composers.
Interwar Symphonies and the Imagination
The symphony has long been entangled with ideas of self and value. Though standard historical accounts suggest that composers' interest in the symphony was almost extinguished in the early 1930s, this book makes plain the genre's continued cultural dominance, and argues that the symphony can illuminate issues around space/geography, race, and postcolonialism in Germany, France, Mexico, and the United States. Focusing on a number of symphonies composed or premiered in 1933, this book recreates some of the cultural and political landscapes of an uncertain historical moment-a year when Hitler took power in Germany, and the Great Depression reached its peak in the United States. Interwar Symphonies and the Imagination asks what North American and European symphonies from the early 1930s can tell us about how people imagined selfhood during a period of international insecurity and political upheaval, of expansionist and colonial fantasies, scientised racism, and emergent fascism.
Cross and Scalpel
"Story of Jean-Marie Coquard from Brittany, a sailor in the merchant navy from his 14th to his 24th year, who in 1890 became a missionary priest in Abeokuta, capital of the Egba people to Nigeria. Without any formal training he exhibited an extraordinary aptitude for medical work and established one of Nigeria's premier hospitals in 1894, acting as the hospital's surgeon. His reputation spread throughout Abeokuta and nearby Lagos and eventually extended beyond the borders of present-day Nigeria..."--Back
Women and the Nineteenth-Century Lied
This book bridges a gap in existing scholarship by foregrounding the contribution of women to the nineteenth-century Lied. Building on the pioneering work of scholars in recent years, it consolidates recent research on women’s achievements in the genre, and develops an alternative narrative of the Lied that embraces an understanding of the contributions of women, and of the contexts of their engagement with German song and related genres. Lieder composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a stimulating variety of analytical approaches. In addition to the focus on composers associated with history and theory of the Lied, th...
Ina Boyle (1889-1967)
The Irish composer, Ina Boyle (1889-1967), was born in Enniskerry, Co. Wicklow, where she enjoyed a sheltered childhood as a member of an Anglo-Irish family with roots in the medical, military and diplomatic professions. Her first music teacher was her clergyman father, who made violins for a hobby. She started to compose from an early age and soon found a passion for music that lasted a lifetime, spanning two world wars, the 1916 rebellion, the war of independence, the civil war and the economic war.0Ina Boyle studied privately in Dublin with C.H. Kitson and Percy Buck, she had her first success in 1919 when her orchestral rhapsody, 'The magic harp', which was selected for publication by th...
Sources and Style in Moore’s Irish Melodies
Once regarded as Ireland’s national bard, Thomas Moore's reputation rests on the ten immensely popular collections of drawing-room songs known as the Irish Melodies. At home and abroad, these 124 songs created a realm of influence that continued to define Irish culture throughout the nineteenth century and into the twentieth. In this book, Una Hunt provides the first detailed assessment from a combined musical and literary standpoint, contextualizing the songs through an examination of their ‘sources’ and ‘style’. Further attention is given to the collaborative work of composers Sir John Stevenson and Henry Rowley Bishop and the study is completed by a reappraisal of the musical sources.
Music and Sound in the Life and Literature of James Joyce
Music and Sound in the Life and Literature of James Joyce: Joyces Noyces offers a fresh perspective on the Irish writer James Joyce’s much-noted obsession with music. This book provides an overview of a century-old critical tradition focused on Joyce and music, as well as six in-depth case studies which revisit material from the writer’s career in the light of new and emerging theories. Considering both Irish cultural history and the European art music tradition, the book combines approaches from cultural musicology, critical theory, sound studies and Irish studies. Chapters explore Joyce’s use of repetition, his response to literary Wagnerism, the role and status of music in the aesthetic and political debates of the fin de siècle, music and cultural nationalism, ubiquitous urban sound and ‘shanty aesthetics’. Gerry Smyth revitalizes Joyce’s work in relation to the ‘noisy’ world in which the author wrote (and his audience read) his work.
The Well-Tempered Festschrift
"The Well-Tempered Festschrift" is a reading of "Music Preferred: Essays in Musicology, Cultural History and Analysis in Honour of Harry White", edited by Lorraine Byrne Bodley and published by Hollitzer Verlag in 2018. "The Well-Tempered Festschrift" reflects on each of the essays in "Music Preferred" in turn, and it also accounts for the circumstances in which Harry White met the contributors to "Music Preferred" throughout the course of his working life. "The Well-Tempered Festschrift" is thus a musicological memoir as well as a detailed review of the contents of "Music Preferred", dedicated to the friends whose work is pictured within. It responds to the liber amicorum of "Music Preferred" with an answering echo that may well be unique in the annals of scholarly Festschriften.
The Routledge Companion to Women and Musical Leadership
The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond provides a comprehensive exploration of women’s participation in musical leadership from the nineteenth century to the present. Global in scope, with contributors from over thirty countries, this book reveals the wide range of ways in which women have taken leadership roles across musical genres and contexts, uncovers new histories, and considers the challenges that women continue to face. The volume addresses timely issues in the era of movements such as #MeToo, digital feminisms, and the resurgent global feminist movements. Its multidisciplinary chapters represent a wide range of methodologies, wit...
