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'All the money went and there was nothing to buy food with. So Mothers and Fathers tried to find things they could get rid of, things that ate, things that drank or things that needed to be kept warm. The dogs went first.' Ivan and the Dogs is based on the extraordinary true story of Ivan Mishukov, who walked out of his Moscow apartment at the age of four and spent two years living on the city streets where he was adopted by a pack of wild dogs. In the recession-ravaged city, the human world is dominated by deprivation and violence. When social breakdown from extremes of impoverishment, cruelty and selfishness starts to set in, a homeless child's only hope is to turn to feral dogs for company, protection and warmth. This spellbinding story of survival and need conjures the streets of Moscow in the 1990s through the eyes of a child. With innocence and fear, Ivan's perceptions of the world are beautifully described, from the acute awareness of hunger and fear, to the innocent understanding of chemical abuse in the 'empty eyes' of children and the ridiculed 'Bombzi'.
In this richly comparative analysis of late Muscovite and early Imperial court culture, Ernest A. Zitser provides a corrective to the secular bias of the scholarly literature about the reforms of Peter the Great. Zitser demonstrates that the tsar's supposedly "secularizing" reforms rested on a fundamentally religious conception of his personal political mission. In particular, Zitser shows that the carnivalesque (and often obscene) activities of the so-called Most Comical All-Drunken Council served as a type of Baroque political sacrament—a monarchical rite of power that elevated the tsar's person above normal men, guaranteed his prerogative over church affairs, and bound the participants ...
Merezhkovsky's bold claim that "all Russian literature is, to a certain degree, a struggle with the temptation of demonism" is undoubtedly justified. And yet, despite its evident centrality to Russian culture, the unique and fascinating phenomenon of Russian literary demonism has so far received little critical attention. This substantial collection fills the gap. A comprehensive analytical introduction by the editor is follwed by a series of fourteen essays, written by eminent scholars in their fields. The first part explores the main shaping contexts of literary demonism: the Russian Orthodox and folk tradition, the demonization of historical figures, and views of art as intrinsically demonic. The second part traces the development of a literary tradition of demonism in the works of authors ranging from Pushkin and Lermontov, Gogol and Dostoevsky, through to the poets and prose writers of modernism (including Blok, Akhmatova, Bely, Sologub, Rozanov, Zamiatin), and through to the end of the 20th century.
Gibbons uncovers the origins of the Partition of Ireland. The Partition of Ireland in 1921, which established Northern Ireland and saw it incorporated into the United Kingdom, sparked immediate civil war and a century of unrest. Today, the Partition remains the single most contentious issue in Irish politics, but its origins—how and why the British divided the island—remain obscured by decades of ensuing struggle. Cutting through the partisan divide, Partition takes readers back to the first days of the twentieth century to uncover the concerns at the heart of the original conflict. Drawing on extensive primary research, Ivan Gibbons reveals how the idea to divide Ireland came about and gained popular support as well as why its implementation proved so controversial and left a century of troubles in its wake.
Hærra Ivan (Sir Ivan, the Knight with the Lion) is the first major work of fiction in Swedish, and an important Scandinavian example of Arthurian romance. The translation from the French original was carried out at the request of the German-born Queen Eufemia of Norway, a country with a richer literary culture than Sweden at the time: Hærra Ivan thus brought Continental, courtly culture to the then recently formalised Swedish feudal class. Last edited in 1931, the poem has been unjustly neglected in recent years; this new edition and English translation, with introduction, will make it widely accessible to international scholars. Professor MARIANNE KALINKE teaches in the Department of Germanic Languages and Literatures at the University of Illinois at Urbana-Champaign; HENRIK WILLIAMS teaches in the Department of Scandinavian Languages at Uppsala University.
Amy wanted some changes in her life. From a troubled childhood to a failed marriage, life just didn't seem fair to her. So when she saw the advertisement for help on a sheep ranch in souther Alberta, it seemed like just the thing she needed. Her new boss was a woman who had her share of heartache in her life, but welcomed Amy with open arms. But life has a way of not being fair and before long, Amy's past catches up with her and she has to make some very important decisions in her life. With the help of her friends and a neighbor who has decided Amy is the girl he wants to marry, she makes some choices. Touching on family problems, faith and friendship, this novel tells the story of how secrets can come back to haunt a person, even years later. Follow along with Amy as she deals with one crisis after another in her life, but manages to weather it all to become the person she wants to be.
Ariel Young finally had her life together. She graduated from a prestigious University in New York and finally landed her dream job.Well...not exactly THE job. Her goal is to start from the bottom and work her way up to become the Executive member of the company. To achieve that goal, she decided to accept the job as the assistant of the CEO at the company. A narcissistic nightmarish of a person who became determined to make her his woman.
This companion volume to The Fold-O-Rama Wars at the Blue Moon Roach Hotel centers around outsiders, artists, and freaks (be they natural-born or self-made); three of the stories are interconnected, but they're also designed to stand alone. Each includes an afterword to shine additional light on both the works and their cultural personal inspirations. Here are four novelettes (three of them original to this book) set in a bizarrely fantastic, near-future America, filled with tattoo artists and other creative types, as well as the Hikikomori's Cartoon Kimono, the Twijfelen challenge of the Pi Zi, and the showdown between the Unnatural-Born Chimera and the Shadowfox Griefer! No one uncovers the naked, bleeding soul of modern American culture better than A. R. Morlan.
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Miles Vorkosigan and his cousin Ivan are sent on a diplomatic mission to the court of the Cetagandan Empire, Barrayar's former enemy. This sophisticated, genetically advanced but in many ways alien society both fascinates and repels, and when the Cetagandan Empress and her attendant die suddenly, Miles and Ivan find themselves embroiled in intrigues that are hard to fathom. Ivan's romances and Miles' infatuation with a nobel Cetagandan lady further complicate matters in this novel by four-time Hugo Award winner Lois McMaster Bujold. Publishers Weekly wrote of CETAGANDA: "Set in a vividly realized world where Machiavellian intrigues are played out behind a facade of aristocratic discretion, t...