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Confirmation Bias
"Confirmation bias is the tendency to interpret new evidence in support of one's existing beliefs or theories. In her stunning debut collection of poetry, Ivanna Baranova throws shade at fixed notions of evidence, existence, and theory in an attempt to transcend the beliefs that demand our psychic reproduction. Desire, affect, anger, and healing collide with Baranova's lived experiences of feminine conditioning, queer and racialized identity, nausea under capitalism, and experimental therapy in a metaphysical Big Bang of possibility. The resulting poems are bright with insight, crackling with humour and idiom, and burning with unforgettable intellect, authenticity, resiliency, and compassion."--
Permanent VOLTA
A debut collection of love poems that resist subjection and ask how we might live together outside of capitalism, providing for each other through intimate acts of care and struggle
Prism International
None
Feminists Despite Themselves
The first history of the women's movement in Ukraine.
Ambient Technology
"Ambient Technology excavates the silver lining of a dream which has been lost. Ashley Obscura's second collection of poetry takes us to a place where time slows down long enough for light to retain form. A meditation on the emergency of intimacy and connection, this collection deconstructs narratives of love and belonging to land amongst new modes of being and belonging in the world."--
Earth Room
Selected by Nobel Laureate Louise Glück as Winner of the inaugural Bergman Prize, Rachel Mannheimer's debut, Earth Room, is a dazzling book-length narrative poem that explores with tenderness how art and love intersect to make one's life. Transporting the reader across decades and from the Moon to Mars by way of Alaska, Berlin, and the Hudson Valley, Earth Room considers a lineage of sculpture, performance, and land art--from Robert Smithson to Pina Bausch--with observations shaped by gender and environment, history and portents of apocalypse. With an urgent, direct, and unmistakably powerful voice, Mannheimer tests the line between nature and culture, ordinary life and performance. A work of sly wit and bracing sincerity, Earth Room is an original, unsparing book that Louise Glück calls "a lesson in how to make something of where we find ourselves."
Supermaker
Supermaker is a guide to business and career development by Jaime Schmidt: acclaimed entrepreneur, founder of Schmidt's Naturals, and icon of the Maker Movement. In Supermaker, she shares how you too can start or grow your own business with advice on branding, product development, social media marketing, scaling, PR, and customer engagement, all based on her own hard-won mastery. In just seven years, Jaime Schmidt went from making natural products in her Portland, Oregon, kitchen to turning her brand into a household name and selling her company to Unilever—without sacrificing the integrity of her product or her creative vision. • Readers learn how to get ahead on their own terms and whi...
I Am Here
Poetry. Women's Studies. I AM HERE navigates the vast, inner realms of a girl on the verge of womanhood. Using both stream-of-consciousness and the confessional mode, I AM HERE attempts to merge the inner world with the outer world. From auras to iPhones, what emerges in this unique collection of poetry is a perspective that is bursting with introspective curiosity.
Fannie Lou Hamer
A brief biography of one of the first black organizers of voter registration in Mississippi.
Infinite Citizen of the Shaking Tent
Winner of the 2016 Griffin Poetry Prize A stunning debut book of poems from a bold new voice unafraid to engage with the exigencies of our contemporary world. In Liz Howard’s wild, scintillating debut, the mechanisms we use to make sense of our worlds – even our direct intimate experiences of it – come under constant scrutiny and a pressure that feels like love. What Howard can accomplish with language strikes us as electric, a kind of alchemy of perception and catastrophe, fidelity and apocalypse. The waters of Northern Ontario shield country are the toxic origin and an image of potential. A subject, a woman, a consumer, a polluter; an erotic force, a confused brilliance, a very necessary form of urgency – all are loosely tethered together and made somehow to resonate with our own devotions and fears; made “to be small and dreaming parallel / to ceremony and decay.” Liz Howard is what contemporary poetry needs right now.
