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An Army of Phantoms
The film critic’s sweeping analysis of American cinema in the Cold War era is both “utterly compulsive reading [and] majestic” in its “breadth and rigor” (Film Comment). An Army of Phantoms is a major work of film history and cultural criticism by leading film critic J. Hoberman. Tracing the dynamic interplay between politics and popular culture, Hoberman offers “the most detailed year-by-year look at Hollywood during the first decade of the Cold War ever published, one that takes film analysis beyond the screen and sets it in its larger political context” (Los Angeles Review of Books). By “tell[ing] the story not just of what’s on the screen but of what played out behind i...
Make My Day
Named a Best Book of the Year by Financial Times "Singular, stylish and slightly intoxicating in its scope." —Rolling Stone Acclaimed media critic J. Hoberman's masterful and majestic exploration of the Reagan years as seen through the unforgettable movies of the era The third book in a brilliant and ambitious trilogy, celebrated cultural and film critic J. Hoberman's Make My Day is a major new work of film and pop culture history. In it he chronicles the Reagan years, from the waning days of the Watergate scandal when disaster films like Earthquake ruled the box office to the nostalgia of feel-good movies like Rocky and Star Wars, and the delirium of the 1984 presidential campaign and bey...
The Red Atlantis
For most of the twentieth century, American and European intellectual life was defined by its fascination with a particular utopian vision. Both the artistic and political vanguards were spellbound by the Communist promise of a new human era—so much so that its political terrors were rationalized as a form of applied evolution and its collapse hailed as the end of history.The Red Atlantisargues that Communism produced a complex culture with a dialectical relation to both modernism and itself. Offering examples ranging from the Stalinist show trial to Franz Kafka's posthumous career as a dissident writer And The work of filmmakers, painters, and writers, which can be understood only as crit...
The Dream Life
The Village Voice film critic illuminates the film culture of the 1960s, focusing on key movies such as Dr. Strangelove, Bonnie and Clyde, and The Wild Bunch. Reprint.
The Magic Hour
The magic hour is the name film-makers give the pre-dusk late afternoon, when anything photographed can be bathed in a melancholy golden light. This work anthologizes J. Hoberman's movie reviews, cultural criticism, and political essays, published in The Village Voice, Artforum, and elsewhere during the period bracketed by the fall of the Berlin Wall and the collapse of the World Trade Towers.
Duck Soup
The Marx Brothers are universally considered to be classic Hollywood's preeminent comedy team and Duck Soup is generally regarded as their quintessential film. A topical satire of dictatorship and government in general, the movie was a critical failure and box-office let-down on its initial release in 1933. J. Hoberman's study of the film traces its reputation history, from the initial disappointment of its release, to its rise to cult status in the 1960s when the Marx's anarchic, anti-establishment humor seemed again timely. Hoberman places Duck Soup, alongside analogous comedies-Dr. Strangelove (1964), the Beatles films, Morgan! (1966), The President's Analyst (1967) and The Producers (196...
Midnight Movies
These are a few of the over 100 films discussed in Midnight Movies, a comprehensive and in-depth look at the subculture movies of the past three decades. Here is the complete history of cult films, their makers, and their audience; an examination of how films become "midnight movies," and what keeps audiences coming back to see them over and over; an exploration of the connections between subversive film and the subcultures from which it emerges. Supplemented with a new afterward detailing the accommodation of midnight movies into the mainstream and speculating on the future of the genre, Midnight Movies is essential reading for anyone interested in the history and future of American cinema.
The Brothers Mankiewicz
Winner of the 2020 Peter C. Rollins Book Award Longlisted for the 2020 Moving Image Book Award by the Kraszna-Krausz Foundation Named a 2019 Richard Wall Memorial Award Finalist by the Theatre Library Association Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture’s only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent th...
Nixon at the Movies
Publisher Description
Why We Watch
This collection of essays examines the many facets of violence in contemporary American culture, ranging across literature, film, philosophy, photojournalism and other media. It offers a consideration of why we are drawn to depictions of violence and why there is a market for violent entertainment.
