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John Milton's major poems have long provoked wide-ranging judgements about the purposes of his biblical engagement. In this elegant and insightful study, Phillip J. Donnelly transforms our common perceptions about Milton's writing. He challenges the traditional assumption that the poet shared our modern view that reason is a capacity whose purpose is to control nature. Instead, Milton's conception of reason - both human and divine - is bound up with a poetic sense of difference, a capacity for being faithful to a goodness and beauty that survives the effects of human frailty in the fall. Providing fresh new readings of Paradise Lost, Paradise Regained and Samson Agonistes, Donnelly gives us important new perspectives on Milton's aesthetics, theology and politics.
(unseen), $12.95. Donnelly explicates and defends an account of human rights as universal rights. Considering the competing claims of the universality, particularity, and relativity of human rights, he argues that the historical contingency and particularity of human rights is completely compatible with a conception of human rights as universal moral rights, and thus does not require the acceptance of claims of cultural relativism. The book moves between theoretical argument and historical practice. Rigorous and tightly-reasoned, material and perspectives from many disciplines are incorporated. Paper edition Annotation copyrighted by Book News, Inc., Portland, OR
This book discusses the properties of quantized vortex lines in superfluid helium-4 in the light of research on vortices in modern fluid mechanics, and gives the first comprehensive treatment of the problem. The author's comprehensive approach will make this book invaluable for students taking advanced undergraduate or graduate courses, and for all those involved in research on classical and quantum vortices.
Stanley Kubrick's The Shining (1980) is both a successful mainstream horror film and an esoteric object for cult audiences who are convinced that the film means something totally different. This book investigates what has made The Shining a key cult film while also addressing the range of meanings and interpretations assigned to it.
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