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The debate continues among today's leading Bible scholars about the conspicuous exclusion of twelve verses (16:9-20) in the gospel of Mark from some early Greek manuscripts.
This volume generates a narrative grammar which unites linguistic, structuralistic, rhetorical, and reader-response methods and then uses it to investigate the textual indicators for interpreting the ending of the Gospel of Mark. The first part of this book generates the narrative grammar in response to significant contemporary writings on methods of narrative analysis. The second part provides a detailed analysis of the Gospel's larger narrative units. The analysis isolates narrative units according to a consistent set of criteria, grounds the interpretation on a limited number of qualifications of the implied reader, indicates the centrality of the literary and rhetorical traditions of the Hebrew Bible for interpretation, clarifies the model of irony used in the narrative, and accounts for the negative presentation of the disciples on narrative grounds.
Revision of author's thesis (Ph. D.)--Princeton Theological Seminary, 2009.
Contributors Frederick D. Aquino Allen Black Mark C. Black Barry L. Blackburn Randall D. Chesnutt Jeffrey W. Childers Larry Chouinard Everett Ferguson Thomas C. Greer Jr. Jan Faver Hailey Stanley N. Helton A. Brian McLemore Marcia D. Moore Kenneth V. Neller L. Curt Niccum Carroll D. Osburn J. Paul Pollard Kathy J. Pulley Gregory E. Sterling James W. Thompson James Walters John Willis
Narrative Discipleship examines the thematic and theological impact of women in the Gospel of Mark. Using narrative analysis, Aernie explores how Mark intentionally crafts the narratives of women in the Gospel to extend his portrait of discipleship. Mark portrays these women as exemplars of four key aspects of discipleship—restored life, kingdom speech, sacrificial action, and cruciformity. These portraits of discipleship provide a transformative paradigm for Mark’s audience. Mark creates a portrait of narrative discipleship as a means to encourage his audience toward embodied discipleship and faithful participation in God’s in-breaking kingdom.
God does not expect anyone to have blind faith, but an informed faith. This book provides evidence to encourage you either to take a leap of faith or to bolster a flagging faith. This book compares a wide range of evidence to the biblical account, in a very accessible and readable style, from science to symbolism, mathematics, archaeology, prophecy and philosophy. It seeks to demonstrate that God is as good as His Word - the Holy Bible. And that means He can be relied upon. And that means you can turn to Him and trust Him, always, in all situations. HGH Ramsay is descended from one of the world's greatest scientific dynasties, and these scientists all believed in the Christian God. Starting with their legacy and moving to modern discoveries, he shows how science and other evidence is catching up with the truth of the Holy Bible - and of God Himself.
This is a study of the language of wonder or amazement, comparing its use in Graeco-Roman, early Jewish and early Christian literature to the Gospel of Mark. Mark's intensive use of wonder, often redactional, impels us to regard the passion and empty tomb scenes as manifesting God's presence. Mark is unique among the Gospels in the density of his wonder language, which signifies the breaking in of the rule of God. Miracles, teaching, restoration to community, passion and empty tomb are all marked as divine interventions in the Gospel by reactions of wonder.
The discussion concerning Markan characterisation (and Markan genre) can be helpfully informed by Bakhtinian categories. This book uses the twin foci of chronotope and carnival to examine specific characters in terms of different levels of dialogue. Various passages in Mark are examined, and thresholds are noted between interindividual character-zones, and between the hearing-reader and text-voices. Several generic contacts are shown to have shaped the text’s ‘genre-memory’ – in particular, the Graeco-Roman popular literature of the ancient world. The resultant picture is of an earthy, populist Gospel whose “voices” resonate with the “vulgar” classes, and whose spirituality is refreshingly relevant to everyday concerns.
The Paideia series offers critically acclaimed commentaries from today's top scholars. This volume exposes theological meaning in Mark by tracing its use of rhetorical strategies.
This is the first book to describe and analyze, sequentially and in detail, all the persons, places, times, and events mentioned in the Gospel accounts of Jesus’s last week in Jerusalem. Part reference guide, part theological exploration, Eckhard Schnabel’s Jesus in Jerusalem uses the biblical text and recent archaeological evidence to find meaning in Jesus’s final days on earth. Schnabel profiles the seventy-two people and groups and the seventeen geographic locations named in the four passion narratives. Placing the events of Jesus’s last days in chronological order, he unpacks their theological significance, finding that Jesus’s passion, death, and resurrection can be understood historically as well as from a faith perspective.