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The classical review
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The Classical Review
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Sufi Literature and the Journey to Immortality
Many Sufi books are written by academics from a technical standpoint; this one however is different. It is written by a mystic who has been inspired since a boy by his love of poetry which has made his life a search for beauty; this dearch culminating in his long study of Sufi Mysticism considered by him to be the acme of all mystic poetry. This book has in it many inspiring passages both poetry and prose. Short biographies are included with examples of the work of the main Sufi Mystics as well as brief commentaries for the reader who will also gain on overall knowledge of Sufi Literature.
A Study in the Dialectics of Sphota
Preface, Abbreviations, PART ONE: Introduction, Historical Overview, Abhidharma Developments, Epistemology, Logic and Language, PART TWO: Summaries of Works, Endnotes, Glossary, Index.
Vālmīki's Sanskrit
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Indian Semantic Analysis
The Indian tradition of semantic elucidation known as nirvacana analysis represented a powerful hermeneutic tool in the exegesis and transmission of authoritative scripture. Nevertheless, it has all too frequently been dismissed by modern scholars as anything from folk-etymology to a primitive forerunner of historical linguistics. Eivind Kahrs argues that such views fall short of explaining both its acceptance within the sophisticated grammatical tradition of vyakarana and its effective usage in the processing of Sanskrit texts. He establishes his argument by investigating the learned Sanskrit literature of Saiva Kashmir and explains the nirvacana tradition in the light of a model substitution, used at least since the time of the Upanisads and later refined in the technical literatures of grammar and ritual. According to this model, a substitute (adesa) takes the place (sthana) of the original placeholder (sthanin). On the basis of a searching analysis of Sanskrit texts, the author argues that this sthana 'place' can be interpreted as 'meaning', the model thereby providing favourable circumstances for reinterpretation and change.
Indian Antiquary
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Dharmakīrti on the Cessation of Suffering
Liberation is a fundamental subject in South Asian doctrinal and philosophical reflection. This book is a study of the discussion of liberation from suffering presented by Dharmakīrti, one of the most influential Indian philosophers. It includes an edition and translation of the section on the cessation of suffering according to Manorathanandin, the last commentator on Dharmakīrti’s Pramāṇavārttika in the Sanskrit cosmopolis. The edition is based on the manuscript used by Sāṅkṛtyāyana and other sources. Methodological issues related to editing ancient Sanskrit texts are examined, while expanding on the activity of ancient pandits and modern editors.
Kāvya in South India
Old Tamil Caṅkam poetry consists of eight anthologies of short poems on love and war, and a treatise on grammar and poetics. The main part of this corpus has generally been dated to the first centuries AD and is believed to be the product of a native Tamil culture. The present study argues that the poems do not describe a contemporary society but a society from the past or one not yet affected by North-Indian Sanskrit culture. Consequently the main argument for the current early dating of Caṅkam poetry is no longer valid. Furthermore, on the basis of a study of the historical setting of the heroic poems and of the role of Tamil as a literary language in the Caṅkam corpus, it is argued ...
Laghukaumudī of Varadarāja
A different arrangement of Panini`s Sutras was attempted by several grammarians of which Siddhantakaumudi of Bhattoji Diksita is very popular in bringing together the relevant sutras bearing on a particular topic. Laghukaumudi is a suitable abridgement on the same by Varadaraja intorducing the beginner to the rudiments of the Sanskrit Language. The present book is a English version of Laghukaumudi together with comments references and index. One of the important objects of this version is to explain each term and each process on its first occurrence with the fullness of illustration.
