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The History of al-Ṭabarī Volume XL
Completed in 1999 by a distinguished group of Arabists and historians of Islam, the annotated translation of al-Ṭabarī's History is arguably the most celebrated chronicle produced in the Islamic lands on the history of the world and the early centuries of Islam. This fortieth volume, the Index, compiled by Alex V. Popovkin under the supervision of Everett K. Rowson, serves as an essential reference tool. It offers scholars and general readers convenient access to the wealth of information provided by this massive work. The Index comprises not only all names of persons and places mentioned by al-Ṭabarī, with abundant cross-referencing, but also a very broad range of subject entries, on everything from "pomegranates" to forms of "punishment." The volume includes a separate index of Quranic citations and allusions, as well as a list of errata and corrigenda to the entire translation.
Islam
Describes the origins, beliefs, and practices of Muslims.
The History of al-Ṭabarī Vol. 28
The initial years (126-145) of al-Manṣūr's reign presented several significant challenges to nascent ʿAbbāsid hegemony, and the resulting confrontations constitute the central focus of this section of Ṭabarī's Tarikh. After Abu Jafar succeeded his brother Abū Al-ʿabbās as caliph, the second of the ʿAbbāsid dynasty, he moved against his recalcitrant uncle, ʿAbd Allāh ibn ʿAlī, and against the potential threat that he perceived in the person of the commander in Khurasan, Abu Muslim. Eliminating the latter and containing the former freed the caliph to address a series of other onslaughts and insurrections. Starting with the year 144, however, Ṭabarī turned to this volume's p...
Arabic Calligraphy
The first stroke-by-stroke guide ever produced for learning to write Naskh, one of the six major cursive Arabic scripts. Its origins can be traced back to the late eighth century AD and it is still in use today, over 1300 years later. The Ottoman Turks considered Naskh the script most suited for copying the Qur'an and today more Qur'ans are copied in Naskh throughout the Islamic world than in all other Arabic scripts combined. This introductory workbook makes it possible for everyone to learn and enjoy the beauty of Arabic calligraphy. Based on his experience of running workshops and demonstrations at The British Museum and other cultural institutions around the UK, Mustafa Ja'far has created an easy-to-follow, teach-yourself guide.
Saudi Clerics and Shi'a Islam
In this book, Raihan Ismail examines the attitudes of the Saudi "ulama" towards various Shia sects and communities by analyzing their sermons, lectures, publications and religious rulings. She explores what the motivating factors are behind the divisive sectarian rhetoric that the 'ulama' employ.
Iranian Cosmopolitanism
From popular and 'New Wave' pre-revolutionary films of Fereydoon Goleh and Abbas Kiarostami to post-revolutionary films of Mohsen Makhmalbaf, the Iranian cinema has produced a range of films and directors that have garnered international fame and earned a global following. Golbarg Rekabtalaei takes a unique look at Iranian cosmopolitanism and how it transformed in the Iranian imagination through the cinematic lens. By examining the development of Iranian cinema from the early twentieth century to the revolution, Rekabtalaei locates discussions of modernity in Iranian cinema as rooted within local experiences, rather than being primarily concerned with Western ideals or industrialisation. Her research further illustrates how the ethnic, linguistic, and religious diversity of Iran's citizenry shaped a heterogeneous culture and a cosmopolitan cinema that was part and parcel of Iran's experience of modernity. In turn, this cosmopolitanism fed into an assertion of sovereignty and national identity in a modernising Iran in the decades leading up to the revolution.
The Diez Albums
The five Diez albums in Berlin, acquired by Heinrich Friedrich von Diez in Constantinople around 1789, contain more than 400 figurative paintings, drawings, fragments, and calligraphic works originating for the most part from Ilkhanid, Jalayirid, and Timurid workshops. Gonnella, Weis and Rauch unite in this volume 21 essays that analyse their relation to their “parent” albums at the Topkapı Palace or examine specific works by reflecting upon their role in the larger history of book art in Iran. Other essays cover aspects such as the European and Chinese influence on Persianate art, aspects related to material and social culture, and the Ottoman interest in Persianate albums. This book m...
Reason, Esotericism, and Authority in Shiʿi Islam
This volume advances the critical study of exegetical, doctrinal, and political authority in Shiʿi Islam. Naive dichotomies of “reason” and “esotericism” in Islamic Studies have often marginalized Shiʿi thought or impeded its understanding. The studies presented here aim to foster more exacting frameworks for interpreting the diverse modes of rationality and esotericism in Twelver and Ismaili Shiʿism and the socio-epistemic values they represent within Muslim discourse. The volume’s contributions highlight the cross-sectarian genealogy of early Shiʿi esotericism; the rationale behind Fatimid Ismaili Quranic taʿwīl hermeneutics; the socio-political context of religious authority in nascent Twelver Shiʿism; authorial agency wielded by Imami hadith compilers; the position of esoteric Shiʿi traditions in Timurid-era Ḥilla; and Shiʿi-Sufi relations with Uṣūlī jurists in modern Iran. Contributors: Rodrigo Adem, Alessandro Cancian, Edmund Hayes, Sajjad Rizvi, Tahera Qutbuddin, Paul Walker, George Warner
