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Reproduction of the original: Pan Tadeusz by Adam Mickiewicz
A Companion to Seals in the Middle Ages is a cross-disciplinary collection of fourteen essays on medieval sigillography. It is organized thematically, and it emphasizes important, often cutting-edge, methodologies for the study of medieval seals and sealing cultures. As the chronological, temporal and geographic scope of the essays in the volume suggests, the study of the medieval seal—its manufacture, materiality, usage, iconography, inscription, and preservation—is a rich endeavour that demands collaboration across disciplines as well as between scholars working on material from different regions and periods. It is hoped that this collection will make the study of medieval seals more accessible and will stimulate students and scholars to employ and further develop these material and methodological approaches to seals. Contributors are Adrian Ailes, Elka Cwiertnia, Paul Dryburgh, Emir O. Filipovi, Oliver Harris, Philippa Hoskin, Ashley Jones, Andreas Lehnertz, John McEwan, Elizabeth A. New, Jonathan Shea, Caroline Simonet, Angelina A. Volkoff, and Marek L. Wójcik.
As the most comprehensive reference work dealing with knowledge management (KM), this work, consisting of 2 volumes, is essential for the library of every KM practitioner, researcher, and educator. Written by an international array of KM luminaries, its approx. 60 chapters approach knowledge management from a wide variety of perspectives ranging from classic foundations to cutting-edge thought, informative to provocative, theoretical to practical, historical to futuristic, human to technological, and operational to strategic. Novices and experts alike will refer to the authoritative and stimulating content again and again for years to come.
Screening Auschwitz examines the classic Polish Holocaust film The Last Stage (Ostatni etap), directed by the Auschwitz survivor Wanda Jakubowska (1907–1998). Released in 1948, The Last Stage was a pioneering work and the first narrative film to portray the Nazi concentration and extermination camp complex of Auschwitz-Birkenau. Marek Haltof’s fascinating book offers English-speaking readers a wealth of new materials, mostly from original Polish sources obtained through extensive archival research. With its powerful dramatization of the camp experience, The Last Stage established several quasi-documentary themes easily discernible in later film narratives of the Shoah: dark, realistic im...
Shows the unsightly side of the Habsburg Empire. It is a declaration of disagreement with idealization of the Austrian partition and the model of state management used in its territory. From the postcolonial point of view, it is a novel about people and territories forced, in spite of bloody resistance, to become the periphery of an empire. The Old Republic of Poland was not a glorious metropolis, but it was still a metropolis. Colonization transformed and divided this metropolis into provinces of three empires, with all the consequences that a transformation of this kind brings. The so-called Polish Sarmatism, from which the heroes of Ashes derive endowed citizens of "Sarmatian" Poland with a sense of self-worth and liberty. Austrian colonization destroyed their liberty and compelled the Poles to serve the interests of their conquerors. Ashes is a narrative of the Sarmatian culture that survived among the nobility with pedigrees and estates, and was also potentially present among smallholders with no pedigree and no assets. The novel suggests that it is not necessary to be a noble to possess the sense of liberty that the Republic of Poland developed and cultivated.
A new and integrative analysis of the concept of ecosystem functioning, providing guidance for its application in conservation practice.
"This expanded edition of Postwar Polish Poetry (which was originally published in 1965) presents 125 poems by 25 poets, including Czeslaw Milosz and other Polish poets living outside Poland. The stress of the anthology is on poetry written after 1956, the year when the lifting of censorship and the berakdown of doctrines provoked and explosion of new schools and talents. The victory of Solidarity in August 1980 once again opened new vistas for a short time; the coup of December closed that chapter. It is too early yet to predict the impact these events will have on the future of Polish poetry." From Amazon.