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Think gunfighter, and Wyatt Earp or Billy the Kid may come to mind, but what of Jim Moon? Joel Fowler? Zack Light? A host of other figures helped forge the gunfighter persona, but their stories have been lost to time. In a sequel to his Deadly Dozen, celebrated western historian Robert K. DeArment now offers more biographical portraits of lesser-known gunfighters—men who perhaps weren’t glorified in legend or song, but who were rightfully notorious in their day. DeArment has tracked down stories of gunmen from throughout the West—characters you won’t find in any of today’s western history encyclopedias but whose careers are colorfully described here. Photos of the men and telling q...
From the author of Girl on the Moon and the upcoming sequel, Girl on Mars, comes this standalone novel about humankind's next great adventure. Billionaire Frank Ebersole believes Pauper, Earth's smaller moon, is the source of magic-the power magickers draw from to perform their supernatural feats. He wants to find the magic "generator" there and exploit it, making him the most powerful man on Earth. To do it he'll put together an expedition to the tiny moon, with a crew chosen from the general population: an administrative assistant with a big heart, a plucky magicker with her own agenda, a quiet teenage girl, and Frank's own "body man." Together they'll have to survive demanding, accelerated training. Their voyage will be fraught with danger and heartbreaking loss. Some of them may not make it home. Will they learn Pauper's secret? And will it save them, or kill them?
Containing full pedigree of all the imported thorough-bred stallions and mares, with their produce.
Anne Burnett shows us the art of Bacchylides in the context of Greek lyric traditions. She discusses the beginnings of choral poetry and the functions of the choral myth; she describes the purposes of the victory song in particular and the practices of Bacchylides and Pindar as they fulfilled their victory commissions. In analyzing individual poems Burnett's approach is two-fold, for each ode is seen as a choral performance reflecting archaic cult practice, while it is also studied as the expression of a particular poetic vision and sensibility. Thus the formal elements of the Bacchylidean victory songs are recognized as the response of a chorus which must give semi-religious praise to a noble athlete or prize-winning prince in times of increasing democracy. At the same time an artistry and an ethic peculiar to Bacchylides are discovered in the manipulation of fictions and mythic materials.