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The EC Archives: Incredible Science Fiction
Incredible Science Fiction arrives in a strange new land: the Twenty-First Century! Fully remastered in magnificent digital color, this far-out volume includes twenty unbelievable tales from a stellar collection of writers and artists: Jack Oleck, Al Feldstein, Wally Wood, Bernard Krigstein, Joe Orlando, Jack Davis, Roy G. Krenkel, and Al Williamson. Featuring a foreword by Mark Evanier! • Incredible Science Fiction issues #30-#33 in full color! • Featuring a foreword from Mark Evanier! • Features stories written and drawn by all-star comic artists Jack Oleck, Al Feldstein, Wally Wood, Bernard Krigstein, Joe Orlando, Jack Davis, Roy G. Krenkel, and Al Williamson!
The EC Archives: Terror Illustrated
Enjoy the complete run of Terror Illustrated, an innovative “Picto-Fiction” magazine! Containing illustrated prose stories of terror, murder, and more of society’s supernatural secrets—featuring work by the classic crew of the EC bullpen: Al Feldstein, Jack Davis, Joe Orlando Johnny Craig, and more! Features the never printed third issue and a brand-new foreword by Mick Garris! This archive volume contains Terror Illustrated issues 1 though 3.
Aces High
George Evans was a master of the aviation war story. This collection includes all of his highly-acclaimed stories for Aces High, EC’s famous air war title. As a bonus, we present a rarity: Evans’ never-before-reprinted 3-D story of World War I ace Frank Luke (in regular, easy-on-the-eyes 2-D). This volume also includes numerous Evans crime and shock stories, including “As Ye Sow…,” “…My Brother’s Keeper,” and “Cadillac Fever.” Other war stories, many done in collaboration with Harvey Kurtzman, include “Napoleon!” and “Flaming Coffins” (which Evans wrote, about the inherent perils of WW I aircraft). Like all books in the Fantagraphics EC line, Aces High features essays and notes by EC experts on these superbly crafted, classic comic book masterpieces.
The EC Archives: Crime SuspenStories Volume 4
v. 1. [writers, Al Feldstein, Wally Wood; artists, Johnny Craig, Graham Ingels, Harvey Kurtzman, Jack Kamen, Jack Davis, George Roussos].
Simon and Kirby: Superheroes
Beginning with Blue Bolt in June 1940, Joe Simon and Jack Kirby set the standard for costumed heroes. Their creation Captain America remains one of the most famous heroes in comic book history, and their work for Timely and DC Comics raised the bar. This large format hardcover collects the duo’s most exciting characters: Fighting American, their cold-war take on the patriotic hero, The Fly, with origins in an unknown Spider-Man prototype, Lancelot Strong, the man with the double life, and the Hollywood swashbuckler known as Stuntman. This is the only edition authorized by both Joe Simon and the estate of Jack Kirby, gathered from the official Simon and Kirby archives.
Taint the Meat…It's the Humanity!
Tales From the Crypt was the quintessential American horror comic book, and Jack Davis the quintessential Tales From the Crypt artist: A brilliant virtuoso whose long-limbed, cartoony-but-hyperdetailed slapstick both cut against and amplified the weird and nauseating grotesqueries that spilled from the EC Comics writers’ fevered minds, including ― as seen in this volume ― “’Taint the Meat... It’s the Humanity,” an evil-butcher horror story that ends pretty much like you’d expect any evil-butcher horror story to end. Presenting the classic EC material in reader-friendly, artist-and-genre-centric packages for the first time, ’Taint the Meat collects every one of Davis’s 24 ...
Master Race
This comics anthology includes Krigstein’s most famous story ― which broke both aesthetic and narrative boundaries ―plus material that’s never been reprinted since the 1950s. In addition to "Master Race,” this volume includes “The Flying Machine” (based on a story by Ray Bradbury). Other stories include: “Slave Ship,” an unpublished science fiction tale that was only discovered in the decades following EC’s demise, “The Monster From The Fourth Dimension,” a horror/science fiction shocker that has never been reprinted since its original appearance in 1954, and other Krigstein crime, horror, war, and science fiction stories covering the full gamut of EC titles, including Tales From the Crypt, Crime SuspenStories, Shock SuspenStories, Aces High, and Incredible Science Fiction.
Zero Hour
With his wholesome approach, Jack Kamen stood out amongst the grandguignol grunge, gritty realism, or futuristic dazzle of his fellow EC cartoonists ― but his brilliant editor/writer Al Feldstein found a way to exploit the surface innocence of his style with seemingly nice stories of romance gone horribly wrong, or future fantasies with an unexpectedly brutal twist. And nowhere did Kamen’s clean-but-lush graphics work better than in the stories he created for EC’s science-fiction comics. The title story, “Zero Hour” (one of three in this book adapted from works by Ray Bradbury), set in a Spielbergian suburban idyll, is particularly well served by Kamen’s surface innocence; “A L...
The Thing from the Grave
This special collection features more than 30 EC classics from the pages of Tales From the Crypt, The Haunt of Fear, The Vault of Horror, Shock SuspenStories, Impact, and Crime SuspenStories. Of special note is Orlando’s “The Monkey,” the classic realistic EC story about drug addiction, considered to be one of the most cautionary of “the preachies,” and Orlando’s adaptation of Bradbury’s eerily haunting “The Lake,” about a childhood tragedy. This volume also includes the title story “The Thing From the Grave,” a special Orlando frightfest originally printed in 3-D that hasn’t been seen since its original publication more than 60 years ago (and is presented here for the first time in easy-on-the-eyes 2-D). Plus all of Orlando’s Panic stories, including parodies of Mother Goose, TV commercials, and soap operas. Like every book in the Fantagraphics EC Artists’ Library, The Thing From the Grave And Other Stories also features essays and notes by EC experts on these superbly crafted, classic American comics.
The Horror Comics
From the Golden Age of the 1940s, through the Silver Age of the '60s, up until the early '80s--the end of the Bronze Age. Included are the earliest series, like American Comics Group's Adventures into the Unknown and Prize Comics' Frankenstein, and the controversial and gory comics of the '40s, such as EC's infamous and influential Tales from the Crypt. The resurgence of monster-horror titles during the '60s is explored, along with the return of horror anthologies like Dell Comics' Ghost Stories and Charlton's Ghostly Tales from the Haunted House. The explosion of horror titles following the relaxation of the comics code in the '70s is fully documented with chapters on Marvel's prodigious output--The Tomb of Dracula, Werewolf by Night and others--DC's anthologies--Witching Hour and Ghosts--and titles such as Swamp Thing, as well as the notable contributions of firms like Gold Key and Atlas. This book examines how horror comics exploited everyday terrors, and often reflected societal attitudes toward women and people who were different.
