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Make It the Same
The world is full of copies. This proliferation includes not just the copying that occurs online and the replication enabled by globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature. Make It the Same explores how poetry—an art form associated with the singular, inimitable utterance—is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition. Edmond tracks the rise of copy poetry acros...
Make It the Same
Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature. Make It the Same explores how poetry is increasingly made from other texts through sampling, appropriation, and other forms of repetition.
A Common Strangeness
Why is our world still understood through binary oppositions—East and West, local and global, common and strange—that ought to have crumbled with the Berlin Wall? What might literary responses to the events that ushered in our era of globalization tell us about the rhetorical and historical underpinnings of these dichotomies? In A Common Strangeness, Jacob Edmond exemplifies a new, multilingual and multilateral approach to literary and cultural studies. He begins with the entrance of China into multinational capitalism and the appearance of the Parisian flâneur in the writings of a Chinese poet exiled in Auckland, New Zealand. Moving among poetic examples in Russian, Chinese, and English, he then traces a series of encounters shaped by economic and geopolitical events from the Cultural Revolution, perestroika, and the June 4 massacre to the collapse of the Soviet Union, September 11, and the invasion of Iraq. In these encounters, Edmond tracks a shared concern with strangeness through which poets contested old binary oppositions as they reemerged in new, post-Cold War forms.
Exodus 18
This work argues that Exod 18:1–27 functions literarily and theologically as the key transitional midpoint in the Exodus narrative. As such, the chapter’s function is both retrospective (recalling key features of chapters 1–17) and prospective (anticipating key features of chapters 19–40) at the midpoint of the book. In the Exodus narrative, the character of Jethro is rhetorically employed by the narrator as a model to contrast with all the nations and as a model to contrast with all the faithless Israelites. Exodus 18 draws to a close a first narrative movement in the first half of the book in which Yahweh is seen and known through his mighty acts of deliverance. Through Moses, Yahweh delivers. Exodus 18 also signals a shift in the second half of the book to a self-revelation of Yahweh which will feature Israel’s need to heed the word and will of Yahweh as mediated through Moses. Through Moses, Yahweh will govern.
Old Testament Exegesis, Fourth Edition
For years, Douglas Stuart's Old Testament Exegesis has been one of the most popular ways to learn how to perform exegesis--the science and art of interpreting biblical texts properly for understanding as well as proclamation. Completely updated and substantially expanded, this new edition includes scores of newer resources, a new configuration of the format for the exegesis process, and an entirely new section explaining where to find and how to use the latest electronic and online resources for doing biblical research. Stuart provides guidance for full exegesis as well as for a quicker approach to provide information specifically tailored to the task of preaching. A glossary of terms explains the sometimes bewildering language of biblical scholarship, and a list of frequent errors guides the student in avoiding common mistakes. No exegetical guide for the Old Testament has been more widely used in training ministers and students to be faithful, careful interpreters of Scripture.
Pre-Nicene Christology in Paschal Contexts
In Pre-Nicene Christology in Paschal Contexts Dragoş A. Giulea re-examines the earliest texts related to the festival of Easter in light of Second Temple traditions. Commonly portrayed as sacrificial lamb, the key actor of the paschal narrative is here designated as heavenly Kabod, Divine Image, King of the Powers, celestial Anthropos, Demiurge, Son of Man, each of these divine names implying a corresponding soteriological function. Dragoş A. Giulea indicates as well that the Greek philosophical vocabulary and certain idioms of the mystery religions inspired new categories which reshaped the traditional way of describing the nature of celestial entities and the epistemological capacities able to access these realities. Thus, the King of the Powers, or the Son of Man, is several times described as a noetic Anthropos, while initiation and noetic perception become the appropriate methods of accessing the divine.
Postscript
Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves
Global Perspectives on Digital Literature
Global Perspectives on Digital Literature: A Critical Introduction for the Twenty-First Century explores how digital literary forms shape and are shaped by aesthetic and political exchanges happening across languages and nations. The book understands "global" as a mode of comparative thinking and argues for considering various forms of digital literature—the popular, the avant-garde, and the participatory—as realizing and producing global thought in the twenty-first century. Attending to issues of both political and aesthetic representation, the book includes a diverse group of contributors and a wide-ranging corpus of texts, composed in a variety of languages and regions, including East...
