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This book was first published in 1966. It was surprising that so small and so remote a country as Switzerland should have played such an important part in the industrial revolution on the Continent in the nineteenth century. A lack of natural resources and basic raw materials and population of 1,687,000 in 1817, faraway trade ports, and until 1848 no real central government with the administrative structure to support expansion of manufacturers. However, the people were hardworking, thrifty and high standards of workmanship; and had good relations with France and Germany, which saw the watchmakers, silkweavers and chocolate crafters start to thrive. Johann Conrad Fischer was typical of the entrepreneurs who laid the foundations of Switzerland's prosperity with his steelworks.
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Prior to the Civil War, the United States did not have a single, national currency. Counterfeiters flourished amid this anarchy, putting vast quantities of bogus bills into circulation. Their success, Mihm reveals, is more than an entertaining tale of criminal enterprise: it is the story of the rise of a country defined by freewheeling capitalism and little government control. Mihm shows how eventually the older monetary system was dismantled, along with the counterfeit economy it sustained.
Traces the history of the Ohio city from its days as a frontier settlement, through the coming of industrialization, to 1950.
"What started out as a quest to find the mother of her beloved grandfather, became for Patricia Waak a revelation about the diversity of her family. It became, in fact, a spiritual journey as she visited cemeteries, courthouses, and archives from Accomack County, Virginia, to Goliad, Texas. Filled with transcriptions of old court cases, accounts from oral history, and the results of countless hours of research, she also invites us to participate in her own discovery through original poetry which introduces each chapter. Included are photographs, genealogical charts, maps, and copies of old documents."--Jacket.
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Prints of a New Kind details the political strategies and scandals that inspired the first generation of American caricaturists to share news and opinions with their audiences in shockingly radical ways. Complementing studies on British and European printmaking, this book is a survey and catalogue of all known American political caricatures created in the country’s transformative early years, as the nation sought to define itself in relation to European models of governance and artistry. Allison Stagg examines printed caricatures that mocked events reported in newspapers and politicians in the United States’ fledgling government, reactions captured in the personal papers of the politicia...