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Ebony
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
Chasing the Grass
Collection of poetry
Leading the Race
Moore reevaluates the role of this black elite by examining how their self-interest interacted with the needs of the black community in Washington, D.C., the center of black society at the turn of the century."--BOOK JACKET.
Ebony
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
New Ways to Kill Your Mother
Novelist and critic Colm Tóibín provides “a fascinating exploration of writers and their families” (Entertainment Weekly) and “an excellent guide through the dark terrain of unconscious desires” (The Evening Standard) in this brilliant collection of essays that explore the relationships of writers to their families and their work. Colm Tóibín—celebrated both for his award-winning fiction and his provocative book reviews and essays—traces the intriguing, often twisted family ties of writers in the books they leave behind. Through the relationship between W. B. Yeats and his father, Thomas Mann and his children, Jane Austen and her aunts, and Tennessee Williams and his sister, Tóibín examines a world of relations, richly comic or savage in their implications. Acutely perceptive and imbued with rare tenderness and wit, New Ways to Kill Your Mother is a fascinating look at writers’ most influential bonds and a secret key to understanding and enjoying their work.
Cow Boys and Cattle Men
Cowboys are an American legend, but despite ubiquity in history and popular culture, misperceptions abound. Technically, a cowboy worked with cattle, as a ranch hand, while his boss, the cattleman, owned the ranch. Jacqueline M. Moore casts aside romantic and one-dimensional images of cowboys by analyzing the class, gender, and labor histories of ranching in Texas during the second half of the nineteenth century. As working-class men, cowboys showed their masculinity through their skills at work as well as public displays in town. But what cowboys thought was manly behavior did not always match those ideas of the business-minded cattlemen, who largely absorbed middle-class masculine ideals o...
Booker T. Washington, W.E.B. Du Bois, and the Struggle for Racial Uplift
This book traces the argument between Booker T. Washington and W.E.B. Du Bois, which began in 1903 when Du Bois published The Souls of Black Folk, which included an attack on Washington, his association with Tuskegee Institute's industrial education program, and accommodationism. The clash between Du Bois and Washington escalated over the next 12 years. Booker T. Washington, W.E.B. Du Bois, and the Struggle for Racial Uplift is an excellent resource for courses in African American history, race relations, and minority and ethnic politics.
An Encyclopedia of Women's Wrestling
A comprehensive and fascinating illustrated look at women’s professional wrestling, including 100 profiles of superstars from around the world. Women’s pro wrestling has existed in the USA since the 1930s, and this colorful encyclopedia references the fashion, fun, and drama of the sport through the years and around the world. Focusing on 100 competitors—from current faves Sasha Banks and Charlotte Flair, to Germany's Jazzy Gabert, Japan’s Io Shirai, and Canada's LuFisto, to legends like The Fabulous Moolah, Sable, Ivory, and Lita—it includes relevant stats and each one’s compelling story. Written by noted authority LaToya Ferguson, this engaging history is great for anyone interested in powerful women, fantastic costumes, and pro wrestling itself.
Contemporary Art and Feminism
This important new book examines contemporary art while foregrounding the key role feminism has played in enabling current modes of artmaking, spectatorship and theoretical discourse. Contemporary Art and Feminism carefully outlines the links between feminist theory and practice of the past four decades of contemporary art and offers a radical re-reading of the contemporary movement. Rather than focus on filling in the gaps of accepted histories by ‘adding’ the ‘missing’ female, queer, First Nations and women artists of colour, the authors seek to revise broader understandings of contemporary practice by providing case studies contextualised in a robust art historical and theoretical basis. Readers are encouraged to see where art ideas come from and evaluate past and present art strategies. What strategies, materials or tropes are less relevant in today’s networked, event-driven art economies? What strategies and themes should we keep hold of, or develop in new ways? This is a significant and innovative intervention that is ideal for students in courses on contemporary art within fine arts, visual studies, history of art, gender studies and queer studies.
