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Portraits by Ingres
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Napoleon's Chicken Marengo
This remarkable work tells the story of Chicken Marengo, and cuts through the tangle of myths that has sprung up around it. Supposedly created on the evening of Napoleons victory at Marengo, the dish rapidly conquered Paris, and became a renowned symbol of French haute cuisine.The author sets the dish in its context explaining the nail-biting drama of Napoleons Marengo campaign and the remarkable frenzy of rejoicing unleashed in Paris by the news of his victory. The author argues that the dish is part of a wider myth that Napoleon spun around the battle itself. Uncomfortably aware of just how close he had come to disaster, he rewrote the official account of Marengo. Determined to exploit the...
The Private Collection of Edgar Degas
This volume investigates Degas' dual role as both artist and collector. Featuring works by well-known artists like Delacroix, Ingres, Daumier, Manet, Cézanne, Gauguin, Van Gogh, Cassatt, and others, this publication is the definitive text outlining Degas' long career collecting important pieces by his predecessors as well as his contemporaries. -- Metropolitan Museum of Art website.
The Painted Face
The meaning of a painted portrait and even its subject may be far more complex than expected, Tamar Garb reveals in this book. She charts for the first time the history of French female portraiture from its heyday in the early nineteenth century to its demise in the early twentieth century, showing how these paintings illuminate evolving social attitudes and aesthetic concerns in France over the course of the century. The author builds the discussion around six canonic works by Ingres, Manet, Cassatt, Cézanne, Picasso, and Matisse, beginning with Ingres’s idealized portrait of Mme de Sennones and ending with Matisse’s elegiac last portrait of his wife. During the hundred years that separate these works, the female portrait went from being the ideal genre for the expression of painting’s capacity to describe and embellish “nature,” to the prime locus of its refusal to do so. Picasso’s Cubism, and specifically Ma Jolie, provides the fulcrum of this shift.
Journal of the Waterloo Campaign
Mercers journal is the most outstanding eyewitness account of the Waterloo campaign ever published. It is a classic of military history. This new, fully illustrated edition, featuring an extensive introduction and notes by Andrew Uffindell, one of the leading authorities on the Napoleonic Wars, contains a mass of additional material not included in the original. As the bicentenary of Waterloo approaches, this beautifully prepared, scholarly edition of Mercers work will be essential reading for anyone who wishes to know what it was really like to fight in the final, great battle against Napoleon.
The Private Collection of Edgar Degas
"The art collection assembled by Edgar Degas was remarkable not only for its quality, size, and depth but also for its revelation of Degas's artistic affinities. He acquired great numbers of works by the nineteenth-century French masters Ingres, Delacroix, and Daumier; he bought (or bartered his own pictures for) art by many of his contemporaries, particularly Manet, Cezanne, Gauguin, and Cassatt; and he acquired works by a wide range of other artists, from eminent to little known. The extent of Degas's holdings was not recognized until after his death, when the collection came up for auction in Paris in 1918 and, in what was called the sale of the century, was widely dispersed." "Extensive ...
