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Invertito. Jahrbuch für die Geschichte der Homosexualitäten
Die Beiträge in der Invertito-Jubiläumsausgabe zeigen, wie eng verwoben die osteuropäische LSBT-Geschichtsschreibung mit den aktuellen Forderungen nach einer Aufarbeitung der nationalsozialistischen und der stalinistischen Verfolgungsgeschichte sowie nach der rechtlichen und gesellschaftlichen Gleichstellung queerer Menschen in Ost- und Ostmitteleuropa ist. Aus dem Inhalt: Ineta LipÅ¡a: Zur Performanz mann-männlichen Begehrens im öffentlichen Raum Lettlands in der Zeit des späten Stalinismus Denisa VÃdeňská: Exilantinnen der Liebe: Betrachtungen weiblicher Homosexualität in Lida Merlinovás Werk und Leben Hans P. Soetaert: Jean Genet in Brno Joanna Ostrowska: Das Archiv ist voll! Ã...
Magic on the Early English Stage
An original investigation into conjuring tricks and stage magic on the medieval stage.
The Routledge Companion to Puppetry and Material Performance
The Routledge Companion to Puppetry and Material Performance offers a wide-ranging perspective on how scholars and artists are currently re-evaluating the theoretical, historical, and theatrical significance of performance that embraces the agency of inanimate objects. This book proposes a collaborative, responsive model for broader artistic engagement in and with the material world. Its 28 chapters aim to advance the study of the puppet not only as a theatrical object but also as a vibrant artistic and scholarly discipline. This Companion looks at puppetry and material performance from six perspectives: theoretical approaches to the puppet, perspectives from practitioners, revisiting histor...
Aspects of Puppet Theatre
Henryk Jurkowski's seminal 1988 text, Aspects of Puppet Theatre, was groundbreaking in its analysis of puppetry as a performing art. This new edition of a classic brings the original text back to life, including four additional essays and a new introduction, edited and translated by leading puppetry scholar Penny Francis. Henryk Jurkowski's seminal 1988 text, Aspects of Puppet Theatre, was groundbreaking in its analysis of puppetry as a performing art. This new edition of a classic brings the original text back to life, including four additional essays and a new introduction, edited and translated by leading puppetry scholar Penny Francis.
Puppets, Masks, and Performing Objects
This volume, which originally appeared as a special issue of TDR/The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives. Puppets and masks are central to some of the oldest worldwide forms of art making and performance, as well as some of the newest. In the twentieth century, French symbolists, Russian futurists and constructivists, Prague School semioticians, and avant-garde artists around the world have all explored the experimental, social, and political value of performing objects. In recent years, puppets, masks, and objects have been the focus of Broadway musicals, postmodernist theory, political spectacle, performance art, and new ac...
Philo-Semitism in Nineteenth-Century German Literature
The work begins with an attempt to understand the philosophy of Nazism and its attendant anti-Semitism, as a necessary prelude to the study of philo-Semitism, which also displays a continuous tradition to the present day. Most of the non-Jewish authors in Germany in the nineteenth century expressed both anti-Semitic and philo-Semitic views (as did most of the German-Jewish authors of that same time); the following work deals with philo-Semitic texts by the non-Jewish authors of the period. The writer who provides the largest body of relevant material is Leopold von Sacher-Masoch, but works by Gutzkow, Bettine von Arnim, Annette von Droste-Hülshoff, Hebbel, Freytag, Raabe, Fontane, Grillparzer, Ebner-Eschenbach, Anzengruber, and Ferdinand von Saar are also examined, as are several tales by the Alsatian authors Erckmann and Chatrian. There is a short chapter on women and philo-Semitism. The conclusion draws attention to the feelings of guilt that are revealed in a number of the texts.
