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L'épuisement du biographique?
Pourquoi penser le biographique? N'est-il pas épuisé? Le siècle passé semble l'avoir vidé de son contenu et de sa substance et l'a réduit à un état d'affaiblissement presque complet dans le domaine des sciences sociales comme dans celui de la critique littéraire. L'enjeu de cet ouvrage est d'affirmer que le biographique déborde la biographie et de considérer le biographique comme une condition du retour de la biographie au moyen de son dépassement. Cet ouvrage rassemble des travaux abordant ...
Translation, the Canon and its Discontents
This collection addresses the complex process by which translation and other forms of rewriting have contributed to canon formation, revision, destabilization, and dismantlement. Through the play between version and subversion, which is inherent to any form of rewriting, these essays – focusing on translations since the sixteenth century down to the present day – stress the role of translation and adaptation as potentially transformative mediations, capable of shaping and undermining identities. Such manipulation is deeply ambivalent, since it can be used as a means of disseminating the ideology of oppressive regimes at the expense of the source text; but it can also serve to garner attention to marginalised texts. This tense interplay between political, social, and aesthetic purposes almost inevitably generates discontents, which may turn out to be the outcome of translation in general. However, discontent is a relational concept, depending on where one stands in the field of competing positions that is the canon.
Cinderella in Spain
Every culture in the world has a version of the story of Cinderella. Surveying thousands of tellings of what is perhaps the most popular fairy tale of all time, this critical examination explores how the famous folk heroine embodies common societal values, traits and ethics. Multiple adaptations in Spain--gay Cinderella, suicidal Cinderella, censored Cinderella, masked Cinderella, porn Cinderella and others--highlight not only Spanish traditions, history and Zeitgeist, but reflect the story's global appeal on a philosophical level.
Religion, Children's Literature, and Modernity in Western Europe, 1750-2000
In this book some 25 scholars focus on the relationship between religion, children's literature and modernity in Western Europe since the Enlightenment (c. 1750). They examine various aspects of the phenomenon of children's literature, such as types of texts, age of readers, position of authors, design and illustration. The role of religion in giving meaning both in a substantive sense as well as through the institutionalised churches is studied from an interdenominational point of view (Judaism, Roman Catholicism, Protestantism and Anglicanism). Finally, the contribution of pedagogy and child psychology in the interaction between modernity, religion and children's literature is also discuss...
The Europa World of Learning
Provides: over 26,000 academic institutions, 150,000 staff and officials; extensive coverage of universities, colleges and other centres of learning; and detailed information on over 400 international cultural, scientific and educational organizations.
Literatura infantil
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Andersen, ala de cisne: actualización de un mito (1805-2005)
Recoge los contenidos del Curso de Formación del Profesorado de Enseñanza Primaria: "Andersen, Ala de cisne: Actualización de un mito (1805.2005)", celebrado en la Universidad Internacional Menéndez Pelayo de Santander, en el verano de 2004.
VERSOS CON FALDAS POETAS ESPAÑOLAS PARA LA INFANCIA Y LA JUVENTUD (2000-2015)
Versos con faldas. Poetas españolas para la infancia y la juventud (2000-2015) propone una perspectiva panorámica de la lírica femenina contemporánea para edades tempranas en la España de los últimos tres lustros. Un paisaje que recoge las huellas de las antecesoras para explorar una creación plural, vibrante y, en ocasiones, poco conocida; donde cabe la tradición y la investigación formal, el haiku y la fábula, la poesía visual y el limerick; donde el niño es alocutario y protagonista de los poemas; donde son posibles el humor, la parodia, el desgarro con toda la profundidad emotiva; donde no hay límites temáticos ni estéticos. Una lírica, por tanto, que trasciende los tópicos dominantes de la literatura infantil concebida como un subgénero menor, para permitirnos nuevas experiencias e imaginaciones del mundo.
