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James Wright
The authorized and sweeping biography of one of America’s most complex, influential, and enduring poets In the extraordinary generation of American poets who came of age in the middle of the twentieth century, James Wright (1927–1980) was frequently placed at the top of the list. With a fierce, single-minded devotion to his work, Wright escaped the steel town of his Depression-era childhood in the Ohio valley to become a revered professor of English literature and a Pulitzer Prize winner. But his hometown remained at the heart of his work, and he courted a rough, enduring muse from his vivid memories of the Midwest. A full-throated lyricism and classical poise became his tools, honesty a...
The Green Wall
None
A Wild Perfection
The thoughtful, inspiring letters of a Pulitzer Prize-winning poet
Two Citizens
"...poems are powerful in their honesty, emotion, and craft. The heart-clenching directness of the emotion is seldom found in recent American poetry... purchasing this edition should be a priority..." -- Small Press.
This Journey
In this final collection, which was left virtually complete at the time of his death, James Wright returns with haunting insistence to the themes that have become hallmarks of one of the enduring poetic voices of our time: the evocation of the author's Ohio childhood and youth; the intense, minute observation of the daily life of the classic culture of Italy, that any modern American poet has achieved.--Jacket blurb.
The Branch Will Not Break
A new book of poetry from a Pulitzer Prize-winning master poet These new poems by the author of Saint Judas and The Green Wall embody a sharp break with his earlier work. Their impact is well described by the British critic Michael Hamburger: "He has absorbed the work of modern Spanish and other continental poets and evolved a medium of his own. This medium dispenses with argument and rhetoric, and presents the pure substance of poetry, images which are 'the objective correlatives' of emotion and feeling. It is only in the new collection that Wright has found this wholly distinctive voice." Mr. Wright is well known for his previous books and his contributions to virtually every literary journal of importance. His numerous honors include a Fullbright fellowship, a Kenyon Review fellowship, and many other prizes and awards.
Above the River
James Wright is one of the most significant, most enduring figures in modern American poetry, the central figure of a greatly talented generation. Whether he was writing about his native Ohio, the natural world, love lost and f found, or the luminous resonant Italy of his later work, Wright's mastery of language and his powerful, haunting voice marked him out as one of the finest writers of his time, a poet whose work caught the spirit of America's anxious yet hopeful post-war years.James Wright was born in Martins Ferry, Ohio, in 1927. His Collected Poems won the 1972 Pulitzer Prize for poetry. He died in 1980.
A Christian Reads the Qur'an
Why would a Christian read the Qur'an? To criticize it? To convert to Islam? Many of my Muslim friends want me to read it because they believe the Qur'an is the most important book in the world. I don't want to criticize the Qur'an. My purpose is to invite others on a quest for truth and respect. Far too often Muslims and Christians live in parallel universes. Reading the Qur'an can help build bridges of respect between one other. The Qur'an says "do not argue with the People of the Book except in the best way" (Surah 29:46 Al-Ankabut). "This can also be very readable to Muslims because it runs smoothly and seems to contain no dogmatic complexities...I like the conclusions especially the ult...
Poems
Few American readers seem to be aware that Hermann Hesse, author of the epic novels Steppenwolf and Siddhartha, among many others, also wrote poetry, the best of which the poet James Wright has translated and included in this book. This is a special volume—filled with short, direct poems about love, death, loneliness, the seasons—that is imbued with some of the imagery and feeling of Hesse's novels but that has a clarity and resonance all its own, a sense of longing for love and for home that is both deceptively simple and deeply moving.
The Open Door
“If readers would like to sample the genius and diversity of American poetry in the last century, there’s no better place to start.” —World Literature Today When Harriet Monroe founded Poetry magazine in Chicago in 1912, she began with an image: the Open Door. For a century, the most important and enduring poets have walked through that door—William Carlos Williams and Wallace Stevens in its first years, Rae Armantrout and Kay Ryan in 2011. And at the same time, Poetry continues to discover the new voices who will be read a century from now. To celebrate the magazine’s centennial, the editors combed through Poetry’s incomparable archives to create a new kind of anthology. With ...
