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When the Lincoln Alexander Parkway was named, it was a triumph not only for this distinguished Canadian, but for all African Canadians, It had indeed been a long journey from the days in the 1880s when a Blacks woman named Julia Berry operated one of the tollgates leading up to Hamilton Mountain. The Journey from Tollgate to Parkway examines the history of Blacks in the Hamilton-Wentworth area, from their status as slaves in Upper Canada to their settlement and development of community, their struggle for justice and equality, and their achievements, presented in a fascinating and meticulously researched historical narrative. Adrienne Shadd's original research offers new insights into urban Black history, filling in gaps on the background of families and individuals, while also exploding stereotypes of poverty and underachievement of early Black Hamiltonians. For the very first time, their contributions to the building and development of the city are heralded and take centre stage.
A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry. Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
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A chance encounter led Catherine Slaney to investigate her family genealogy and revealed her great-grandfather, Dr. A.R. Abbott, Canada's first African-Canadian doctor.
A historical chronology of the U.S. Navy Seabees in Vietnam during 1967. Data was researched from Battalion Cruisebooks and Deployment Completion Reports, Stars & Stripes Newspaper, All Hands magazine as well as personal stories and memories from the men who served 'boots on the ground'
This work builds on earlier publications in this series, particularly Occasional Paper Number Nine, The Creation of the National Imagery and Mapping Agency: Congress's Role as Overseer, by Anne Daugherty Miles. The author of the present paper has examined how the Coast Guard became a member of the Intelligence Community, how Congress was involved, and how Congress will likely be increasingly involved in the organization of the Community. Although the United States Coast Guard has utilized intelligence capabilities since the service's inception in 1790, the Coast Guard was not included as a formal member of the Intelligence Community until December 2002. Mr. Wirth describes the story behind t...
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The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. “Coon songs,” with their ugly name, defined ragtime for the masses, and played a transitional role in the commercial ascendancy of blues and jazz. In Ragged but Right, Lynn Abbott and Doug Seroff investigate black musical comedy productions, sideshow bands, and itinerant tented minstrel shows. Ragtime history is crowned by the “big shows,” the stunning musical comedy successes of Williams and Walker, Bob Cole, and Erne...