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With an unrelenting devotion to social consciousness and artistic integrity, Willard Van Dyke emerged in the mid-1920s as one of the few artists to bridge both mediums of photography and film.
The Harlem riot of 1935 not only signaled the end of the Harlem Renaissance; it made black America's cultural capital an icon for the challenges of American modernity. Luring photographers interested in socially conscious, journalistic, and aesthetic representation, post-Renaissance Harlem helped give rise to America's full-blown image culture and its definitive genre, documentary. The images made there in turn became critical to the work of black writers seeking to reinvent literary forms. Harlem Crossroads is the first book to examine their deep, sustained engagements with photographic practices. Arguing for Harlem as a crossroads between writers and the image, Sara Blair explores its powe...
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.
Globalizing Japan explores the social and cultural dimensions of Japan's global presence. Japan's expansion and presence as an economic giant is witnessed on an everyday basis. Both consciously and unconsciously, we regularly come into contact with Japan's industrial and cultural globalization, from cameras and automobiles to judo, cuisine or animation. Japan's presence in the popular imagination is heavily influenced both by the country's historical past and its global present. This book will appeal to students and scholars of Japanese Studies, Anthropology and Cultural Studies.
Foreword by Ann Freedman. Introduction by Rachael Blackburn Cozad, Helen A. Harrison. Text by Irving Sandler, James Enyeart, David Sylvester.