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Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.
I started writing this fictional tale in late December of 2011. Shortly thereafter I bailed on it being I was working on another project. Then I resumed and finally finished the damn thing on May 11, 2012. Our novelette here consists of the private journal of George Martin “Marty” Cook, known as Marty to those who knew him. Thematic throughout this piece details Marty’s involvement in a relationship with a beautiful but married woman, Jerilynn Ann Lee. And the instant lovely Jerilynn breathed the life of her love into his wounded heart, well, that was it, Marty was stuck!
It is bad enough being bound in a relationship, but when it’s a relationship uniting a single person with one already married, oh, do the complexities expand drastically! Chief among these are the tensions of guilt feelings verses the life-enhancing joys found in the object of that love, in our story Jerilynn. And this is what Marty would have to balance and contend with till the end.
The nature of this short work required that I write it in the first person. I didn’t particularly like at all doing it that way. But what can I say? It is what it is.
Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Br...
This volume contains detailed information about every musical that opened on Broadway from 2010 through the end of 2019. This book discusses the decade’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues.
Since its first appearance in 1981, critical regionalism has enjoyed a celebrated worldwide reception. The 1990s increased its pertinence as an architectural theory that defends the cultural identity of a place resisting the homogenising onslaught of globalisation. Today, its main principles (such as acknowledging the climate, history, materials, culture and topography of a specific place) are integrated in architects’ education across the globe. But at the same time, the richer cross-cultural history of critical regionalism has been reduced to schematic juxtapositions of ‘the global’ with ‘the local’. Retrieving both the globalising branches and the overlooked cross-cultural roots...
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.