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In this Second Edition, Revised and Expanded, Wilson has completely revised the poems to attain a more classical perfection. Includes new poems collected as "The Christmas Preface."
In The Hanging God, James Matthew Wilson mines the landscape of contemporary American life for images to reflect its moral ravages. Raw in their affective power, Wilson's images and narratives avoid ambiguity in matters of faith without sacrificing complexity of feeling, compassion, and self-examination.
Ours is an age full of desires but impoverished in its understanding of where those desires lead—an age that claims mastery over the world but also claims to find the world as a whole absurd or unintelligible. In The Vision of the Soul, James Matthew Wilson seeks to conserve the great insights of the western tradition by giving us a new account of them responsive to modern discontents. The western— or Christian Platonist—tradition, he argues, tells us that man is an intellectual animal, born to pursue the good, to know the true, and to contemplate all things in beauty. Wilson begins by reconceiving the intellectual conservatism born of Edmund Burke’s jeremiad against the French Revol...
This brilliant new book powerfully demonstrates how the evolution of Modern and Post-Modern criticism and theory, free verse, and political ideology have greatly diminished contemporary poetry. The final chapter is a tour de force that compellingly argues for meter as the catalyst that joins syllables, accents, and (often) rhyme to create the deeply subtle artistry of our language's poetry. "What is poetry and what is poetry for? To ask the first question is to ask the second. To answer both in light of the western tradition stretching back to Homer, and against much modernist and postmodernist poetic theory and practice, is the goal of this remarkable book. Poetry's final end is nothing less than to arouse in us a profound sense of wonder in coming to know that 'Reality as a whole is formed as the good-world-order, the intelligible beauty showing forth from [the] cosmic circle of procession and return.'"-David Middleton, author of The Fiddler of Driskill Hill, in The American Conservative
A book-length poem in six sections, Long Rules takes readers to five Trappist monasteries in the southeastern United States to consider the intersections of solitude, family, music, and landscape. Its lines unspool in a loose and echoing blank verse that investigates monastic rules, sunlight, Saint Basil, turnips, Thomas Merton, saddle-backed caterpillars, John Prine, fatherhood, and everything in between. Looking inside and outside the self, Perry asks, what, or whom, are we serving? Winner of the Backwaters Prize in Poetry, this essay in verse contemplates the meaning of solitude and its contemporary ramifications in a time of uncertainty.
In Joshua Mehigan’s award-winning poetry, one encounters a lucid, resolute vision driven by an amazing facility with the metrical line. Most of the poems in The Optimist unapologetically employ traditional poetic technique, and, in each of these, Mehigan stretches the fabric of living language over a framework of regular meter to produce a compelling sonic counterpoint. The Optimist stares at contemporary darkness visible, a darkly lit tableau that erases the boundary between the world and the perceiving self. Whether narrative or lyric, dramatic or satirical, Mehigan’s poems explore death, desire, and change with a mixture of reason and compassion. In choosing The Optimist for the Holli...
The patrolman has the most difficult, complex, and least understood task in the police department. Much less is known of him than of his better publicized colleague, the detective. In this important and timely book, James Q. Wilson describes the patrolman and the problems he faces that arise out of constraints imposed by law, politics, public opinion, and the expectations of superiors. The study considers how the uniformed officer in eight communities deals with such common offenses as assault, theft, drunkenness, vice, traffic, and disorderly conduct. Six of the communities are in New York State: Albany, Amsterdam, Brighton, Nassau County, Newburgh, and Syracuse. The others are Highland Par...
The translations - or ""conversions"" - in this book make available to contemporary readers of English-language poetry a wealth of poems that belong to what T.S. Eliot called ""the tradition."" From Homer, Sappho, and Archilochus to Catullus, Horace, and Virgil; from Dante, Villon, and Lope de Vega to Baudelaire, Rilke, and Pessoa; this book presents fresh versions of many of the best-loved poems in the Western European tradition in strikingly new versions, allowing readers without access to the originals the opportunity to possess, in some measure, both the sense and style of these monumental works. Ryan Wilson's first book of poems, The Stranger World - winner of the prestigious Donald Justice Poetry Prize - explored the ways in which human beings may discover themselves in life's unforseen and unpredictable phenomena. That book, described by poet and professor James Matthew Wilson as ""a most astonishing debut"" and ""maybe the best first book by a poet I've ever read,"" lays the groundwork for Proteus Bound, in which the author's practice of xenia, or ""hospitality,"" welcomes poems from more than a half dozen languages, spanning nearly three millennia, into English.
"Tells the story through captivating poems and breathtaking paintings of the adventure of two friends, the Dally and the Blug. Their jolly journey through an alphabet of mythical mammals unites the bright and bumbling Blug and the dear but downhearted Dally, who come to learn a thing or two about good, evil, courage, humor, sadness, hope ... and how to govern their spirits and truly love their fellow mammals."--Jacket
Cites successful examples of community-based policing.