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Books and Bookmen in Early Modern Britain
This gathering of eighteen essays explores a period in Britain when the world of letters was brought under harness by the political centre as it had never been before or has been since. The importance of royal patronage for authors and printers alike is the subject of several of these studies; others are concerned with the dangers of unorthodox reading in Tudor England. The break-up of monastic libraries is another theme, as witnessed not only in England but also by observers in the Low Countries and Italy. Also included are studies on the post-dissolution movement of medieval books into the universities and into royal and aristocratic collections, aspects of female reading, verse compositio...
The Books of King Henry VIII and His Wives
"In this new book, James P. Carley, a leading scholar in the emerging field of book history, describes Henry VIII's libraries and shows their key role in providing a more intimate understanding of this seemingly familiar monarch and his consorts. The books of the wives, moreover, show them to have been as independent and innovative as the king himself. The extensive illustrations allow us to examine both the bindings and the contents of the collection, and also provide us with examples of his immediate voice in the form of the marginalia that he inserted into his books."--BOOK JACKET.
Glastonbury Abbey and the Arthurian Tradition
The essays in this volume, some reprinted in their original form and some extensively revised, are concerned with the Arthurian traditions associated with Glastonbury Abbey. Certain of the essays are analytic and others provide editions of hitherto unknown texts. They all examine ways in which legendary materials and historical facts interconnected in the process by which Glastonbury Abbey came to present itself, nationally and internationally, as the custodian of King Arthur's relics and the burial place of Joseph of Arimathea, and the importance, political and ecclesiastical, that it derived from the connection. Professor JAMES CARLEY is the author of Glastonbury Abbey: The Holy House at t...
Arthurian Literature XVI
`An indispensable component of any historical or Arthurian library.' NOTES AND QUERIES
Books and Collectors, 1200-1700
The essays that make up this collection examine 4 main themes in the history of the book over 5 centuries: monastic books and mediaeval learning, humanism and incunabula, the dispersal of monastic libraries and post-monastic collections.
Arthurian Literature XII
Latest work on Arthur by respected scholars.
Culture and the King
This book focuses on how and why various cultures have appropriated the story of King Arthur. It is about re-vision, how cultures alter inherited texts and are, in turn, changed by them, and it deals with the ways in which various cultures have empowered the Arthurian legend so that power might be derived from it. The authors suggest that the vitality of the Arthurian legend resides in its ability to be transformed and to transform, in its potential for appropriation and use. Culture and the King deals with issues of literature, history, art, politics, economics, gender study, and popular culture. It crosses the boundaries traditionally erected around these disciplines and addresses emerging critical methodologies concerned with the "poetics of culture."
Glastonbury Abbey
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Arthurian Literature XIII
Latest volume in this series containing the best new work on Arthurian topics.
De uiris illustribus
Equipped with some sort of commission from Henry VIII, John Leland began to record the contents of English monastic libraries in 1533 and carried on until 1536 or shortly after, when the first dissolutions occurred. His booklists were compiled in preparation for his comprehensive dictionary of British writers entitled De uiris illustribus. This remarkable document, a proto Dictionary of National Biography, lay incomplete at Leland's death. The sole extant witness is the autograph manuscript, now Oxford, Bodleian Library, MS Top. gen. c. 4. Although antiquaries made use of De uiris illustribus over the next generations it did not see its way into print until 1709 when Anthony Hall produced a ...
