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James Ravilious
Biography of one of the great British photographers of the twentieth century.
A Corner of England
Containing photographs taken in and around the author's North Devon home over the past 25 years, this book records the people and landscapes of rural England. It evokes a view of rural English life that is still to be found in every village and country town: local trades, a village wedding, children waiting for the school bus, and farming life.
The Initials in The Heart
Laurence Whistler's story of his five-year marriage to Jill Furse before her sudden early death has achieved a classic quality. Despite the tragedy of its ending the lasting impression is of two lives lived to the full in supreme happiness. Jill Furse was remarkable for many gifts; beauty, acting, poetry and above all gaiety and courage. This edition includes her poems. 'One of the most sustainedly beautiful [prose] poems I have read for a long time.' Lord David Cecil, Sunday Telegraph 'One of the most moving prose threnodies ever written.' Daily Telegraph 'One of the most poignant love stories in the English language.' Country Life 'Certain to have a permanent place in the literature of love.' Yorkshire Post
Ravilious
This beautifully illustrated book is the first full-length critical study to focus on the watercolours of multitalented British artist and designer Eric Ravilious (1903–1942). Adopting the wide-ranging approach familiar to readers of his previous books on the artist, author James Russell explores the evolution of a remarkable talent. An introductory section offers an intimate portrait of Ravilious, an artist for whom personal relationships, particularly with women, were paramount. It goes on to describe the extraordinary achievements of an all-too-brief career, drawing on new research to seek out artistic influences and examine Ravilious's relationships with fellow-artists, as well as the ...
Ravilious in Picture
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Ravilious in Pictures
Celebrating the life and work of English artist Eric Ravilious (1903-42), ‘A Country Life’ (the third book in the Ravilious in Pictures series) features twenty-two beautiful watercolours painted in north-west Essex and on the East Anglian coast. Accompanying essays by James Russell explore the artist’s home life, introducing the people and places he know around the villages of Castle Hedingham and Great Bardfield, and offering insights into the culture and customs of 1930s England.--Publisher.
Ravilious in Pictures
'Ravilious in Pictures: The War Paintings' celebrates and commemorates the wartime career of Eric Ravilious, who died on active service in Iceland at the age of 39. One of a series of books, it creates a vivid portrait both of the artist himself and of life in wartime Britain.
Ravilious
'Ravilious: Submarine' celebrates the creation of a remarkable series of prints made by Eric Ravilious during the dark winter of 1940/41. It was rare to find an artist who descended into the depths to portray the interior of a naval submarine, yet it is not just the subject matter that makes the Submarine Series so powerful; the medium too is extraordinary. One of the most demanding of the printmaker's arts, auto-lithography enjoyed a golden period in Europe between the wars, and in Britain the Submarine Series represents a pinnacle of achievement. In this lavishly illustrated 72 page book James Russell explores the sequence of events that gave us Ravilious the lithographer, a compelling story that introduces Soviet revolutionaries in Moscow, Russian émigrés in Paris, Jewish immigrants in the East End of London and a host of visionary printers, publishers and designers. All ten lithographs in the Submarine Series are shown, each accompanied by a short descriptive essay which explores the scene depicted, introducing people and giving insights into the dangerous life of a submariner during World War II.
Ravilious in Pictures
Ravilious in Pictures: A Travelling Artist is the fourth in a series of books celebrating the life and work of Eric Ravilious (1903-42). This volume features twenty-two pictures, each of which is both an exquisite painting in its own right and part of something bigger: the artist’s idiosyncratic study of Britain in the 1930s. Although Ravilious often completed paintings in his studio, with the help of pencilled notes, his pictures invariably began as a sketch of a real place, at a particular time of day – often dawn, or soon after – and in whatever weather conditions the moment offered. The quest for new subjects took Ravilious around Britain and beyond, on a decade-long journey of dis...
