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Accounts and Papers
  • Language: en
  • Pages: 516

Accounts and Papers

  • Type: Book
  • -
  • Published: 1855
  • -
  • Publisher: Unknown

None

Private and Local Acts Passed by the Legislature of Wisconsin
  • Language: en
  • Pages: 1122

Private and Local Acts Passed by the Legislature of Wisconsin

  • Categories: Law
  • Type: Book
  • -
  • Published: 1889
  • -
  • Publisher: Unknown

Some volumes issued in two parts.

SamBop NYC
  • Language: en
  • Pages: 257

SamBop NYC

Written for general readers and scholars alike, SamBop NYC explores Brazilian jazz in New York City--the music, musicians, cultural issues, and jazz industry. Blending American and Brazilian music, these musicians continue the legacies of bossa nova, samba jazz, and other styles, while expanding their skills, cultural understandings, and identities. The book draws on interviews with over fifty musicians, including Eliane Elias, Dom Salvador, Eumir Deodato, Maúcha Adnet, Vinícius Cantuária, Luciana Souza, Romero Lubambo, and Anat Cohen.

The Laws of Wisconsin
  • Language: en
  • Pages: 1130

The Laws of Wisconsin

  • Categories: Law
  • Type: Book
  • -
  • Published: 1889
  • -
  • Publisher: Unknown

Includes some separate vols. for special sessions.

Parliamentary Papers
  • Language: en
  • Pages: 622

Parliamentary Papers

  • Type: Book
  • -
  • Published: 1829
  • -
  • Publisher: Unknown

None

The History of Battery B, First Regiment Rhode Island Light Artillery, in the War to Preserve the Union, 1861-1865
  • Language: en
  • Pages: 490
Parnellism and Crime: Opening speech of the attorney-general
  • Language: en
  • Pages: 370

Parnellism and Crime: Opening speech of the attorney-general

  • Type: Book
  • -
  • Published: 1888
  • -
  • Publisher: Unknown

None

Beyond the Bandstand
  • Language: en
  • Pages: 316

Beyond the Bandstand

The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin’s Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who’s who of artists toward prominence. But Whiteman’s oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history. W. Anthony Sheppard’s collection of essays confronts the racial implications of Whiteman’s career. The contributors explore Whiteman’s broad impact on popular culture, tracking his work and influence in Ameri...

Hating Jazz
  • Language: en
  • Pages: 190

Hating Jazz

A deep dive into the meaning behind the hatred of jazz. A rock guitarist plays four notes in front of one thousand people, while a jazz guitarist plays one thousand notes in front of four people. You might laugh or groan at this jazz joke, but what is it about jazz that makes people want to disparage it in the first place? Andrew S. Berish’s Hating Jazz listens to the voices who have denounced, disparaged, and mocked the music. By focusing on the rejection of the music, Berish says, we see more holistically jazz’s complicated place in American cultural life. Jazz is a display of Black creativity and genius, an art form that is deeply embedded in African American life. Though the explicit...