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The Stages of Memory
Introduction. The memorial's vernacular arc between Berlin's Denkmal and New York City's 9/11 Memorial -- The stages of memory at Ground Zero: the National 9/11 Memorial process -- Daniel Libeskind and the houses of Jewish memory: what is Jewish architecture? -- Regarding the pain of women: gender and the arts of holocaust memory -- The terrible beauty of Nazi aesthetics -- Looking into the mirrors of evil: Nazi imagery in contemporary art at the Jewish Museum in New York -- The contemporary arts of memory in the works of Esther Shalev-Gerz, Miroslaw Balka, Tobi Kahn, and Komar and Melamid -- Utøya and Norway's July 22 memorial: the memory of political terror.
Eye on Korea
Col. James V. Young spent almost twenty years in Asia, including fourteen in Korea. Here, he writes with the expertise of an old Korea hand about a period that saw South Korea develop from an agrarian economy to a modern industrial state. Young volunteered in 1969 for a new program aimed at creating area specialists within the military. In 1975, after four years of training in Korean language and culture, he witnessed how American diplomats convinced Park ChungHee, the South Korean president, not to develop his own nuclear weapons. Later, from the perspective of a military attaché, Young saw the mistrust that characterized U.S.Korean relations during the 1970s. He provides new insights into the behindthescenes efforts to derail President Jimmy Carter’s troop withdrawal policies and argues that the United States was caught flatfooted by such crucial episodes as the coup of 1979 and the 12/12 Incident. Young’s memoir straddles the line between military and diplomatic history and offers entertaining and often humorous stories. Those interested in the region, the issues, and military life off the battlefield will value this book.
The Scottish Jurist
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Cultural Appropriation and the Arts
Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture) Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts Questions considered include: “Can cultural appropriation result in the production of aesthetically successful works of art?” and “Is cultural appropriation in the arts morally objectionable?” Part of the highly regarded New Directions in Aesthetics series
