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Language and Humour in the Media provides new insights into the interface between humour studies and media discourse analysis, connecting two areas of scholarly interest that have not been studied extensively before. The volume adopts a multi-disciplinary approach, concentrating on the various roles humour plays in print and audiovisual media, the forms it takes, the purposes it serves, the butts it targets, the implications it carries and the differences it may assume across cultures. The phenomena described range from conversational humour, canned jokes and wordplay to humour in translation and news satire. The individual studies draw their material for analysis from traditional print and broadcast media, such as magazines, sitcoms, films and spoof news, as well as electronic and internet-based media, such as emails, listserv messages, live blogs and online news. The volume will be of primary interest to a wide range of researchers in the fields of discourse analysis, sociolinguistics, intercultural studies, pragmatics, communication studies, and rhetoric but it will also appeal to scholars in the areas of media studies, psychology and crosscultural communication.
In the thousand-channel universe, politicians must find innovative ways to reach citizens via television. Viewership for news and current affairs television programs has dropped dramatically. Meanwhile, the rise of programming that blends information with entertainment – infotainment – on Canadian television, especially in Quebec, has provided an opportunity for today’s politicians to use it to their advantage. But their appearances on these programs also fuel concerns over the declining authority of journalism in the public sphere. Breaking News? traces the development of infotainment and exposes the impact of these kinds of programs on modern political communication. Frédérick Bastien lays out the issues raised by the eroding influence of existing news gatekeepers and the implications of infotainment for politicians, journalists, and citizens, while arguing that infotainment ultimately makes a positive contribution to democratic life by piquing the audience’s interest in public affairs and motivating it to pay more attention to political news in general.
Is Democracy a Lost Cause? explores the current debate on democracy. It starts by discussing the meaning of ‘democracy’ and how the understanding of this important political concept has either broadened or contracted, depending on changing political circumstances. Mastropaolo then poses the question of what it means for democracy to be the ‘government of the people’. He deals with the way in which democratic government has been affected by changes in the fabric of society, by the evolution of democratic theory itself, and by the transformations affecting the state and political parties. Political class and citizens’ attitudes towards democratic politics, increasingly characterised by resentment and often taking the form of an anti-politics, are analysed in the concluding chapters.
It is often remarked that politicians’ private lives are becoming a feature of political communication in many advanced industrial democracies. However, there have so far been no genuinely comparative studies examining the personalized nature of political communication. Intimate Politics provides for the first time a systematic comparative analysis of such developments in Australia, France, Germany, Italy, Spain, the UK and the US. Drawing on a wide range of primary and secondary sources, it assesses the extent to which the private lives of politicians have become a feature of political communication in each democracy. The book provides a comprehensive account of the shifting boundaries between the public and private, and whether any developments are universal or more advanced in some democracies than others, and seeks to explain why this might be. Intimate Politics will be of great value for students and scholars of communication and media studies and political science and is required reading for anyone who wants a fuller understanding of the transformation of mediated politics in advanced industrial democracies.
This book focuses on two commercial radio stations, Radio Luxembourg and Europe n°1, which were popular institutions in Western Europe throughout the Long Sixties, working across media and broadcasting transnationally. It argues that the existence of an overarching ‘dispositif ’ of commercial radio stations enabled them to operate on various dimensions and differentiated them from other broadcasters. The book therefore answers current calls in media history to look beyond national and single-medium borders and contributes to the cultural and media history of Western Europe.
The biographical film or biopic is a staple of film production in all major film industries and yet, within film studies, its generic, aesthetic, and cultural significance has remained underexplored. The Biopic in Contemporary Film Culture fills this gap, conceptualizing the biopic with a particular eye toward the "life" of the genre internationally. New theoretical approaches combine with specially commissioned chapters on contemporary biographical film production in India, Italy, South Korea, France, Russia, Great Britain, and the US, in order to present a selective but well-rounded portrait of the biopic’s place in film culture. From Marie Antoinette to The Social Network, the pieces in this volume critically examine the place of the biopic within ongoing debates about how cinema can and should represent history and "real lives." Contributors discuss the biopic’s grounding in the conventions of the historical film, and explore the genre’s defining traits as well as its potential for innovation. The Biopic in Contemporary Film Culture expands the critical boundaries of this evolving, versatile genre.
Though intimacy has been a wide concern in the humanities, it has received little critical attention in film studies. This collection of new essays investigates both the potential intimacy of cinema as a medium and the possibility of a cinema of intimacy where it is least expected. As a notion defined by binaries--inside and outside, surface and depth, public and private, self and other--intimacy, because it implies sharing, calls into question the boundaries between these extremes, and the border separating mainstream cinema and independent or auteur cinema. Following on Thomas Elsaesser's theories of the relationship between the intimacy of cinema and the cinema of intimacy, the essays explore intimacy in silent and classic Hollywood movies, underground, documentary and animation films; and contemporary Hollywood, British, Canadian and Australian cinema from a variety of approaches.
This Handbook provides the most comprehensive overview of the role of electoral advertising on television and new forms of advertising in countries from all parts of the world currently available. Thematic chapters address advertising effects, negative ads, the perspective of practitioners and gender role. Country chapters summarize research on issues including political and electoral systems; history of ads; the content of ads; reception and effects of ads; regulation of political advertising on television and the Internet; financing political advertising; and prospects for the future. The Handbook confirms that candidates spend the major part of their campaign budget on television advertis...
A explosão de celebridades constitui, em termos de escala, diversidade e projecção, algo relativamente recente em Portugal. É como se a vida se tornasse um filme e todos nós seguíssemos a vida dos outros como se de um enredo se tratasse, com personagens, linhas narrativas e finais bem ou mal conseguidos. O mundo da fantasia já não invade só os nossos sonhos. Também acordados, muitos anseiam e competem por participar nesse filme ininterrupto. Assim, tornam-se parte desse ecrã contínuo, tão grande como a vida e tão transparente, em que o privado e o público se confundem, fomentando-se uma intimidade, ilusória ou não, com aqueles que até há pouco tempo eram estranhos, mas que agora se tornaram referências.
Il volume ritorna sulla straordinaria vicenda di Alfred Dreyfus, accusato nel 1894 di spionaggio nei confronti della Germania, condannato all’esilio perpetuo e alla degradazione e infine “graziato” dopo un’imponente campagna internazionale in suo favore. Una folta schiera di giornalisti italiani ne seguì le alterne vicissitudini, scrivendo su organi di stampa di orientamento politico e culturale differenti e persino opposti: dal «Corriere della Sera» alla «Stampa», dalla «Tribuna» al «Secolo», fino ai giornali militanti di varia natura. Gli interventi di letterati e scienziati, esperti di affari militari e giudiziari, uomini politici e diplomatici, rivoluzionari e sacerdoti in esilio compongono un mosaico che restituisce la dimensione polifonica e internazionale di un evento capace di mettere in discussione consolidate convinzioni morali e politiche e di caratterizzare un’epoca densa di tensioni e di contraddizioni, di speranze e di illusioni.