You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Books tell stories about our lifeworld. In this book Jan Coetzee invites us to critically inquire into the aims, the content, and the context of the stories contained in a collection of old books from an old world. Without opening these old texts and without converting the original print on the pages to meaning and message, Coetzee brings the books into a dialogue with each other. Together with accompanying sculpted and/or found objects these books take on a new, broader function. By gathering them in one volume they attain a different character and tell us more than what the individual books ever could.
Books tell stories about our lifeworld. In this book Jan Coetzee invites us to critically inquire into the aims, the content, and the context of the stories contained in a collection of old books from an old world. Without opening these old texts and without converting the original print on the pages to meaning and message, Coetzee brings the books into a dialogue with each other. Together with accompanying sculpted and/or found objects these books take on a new, broader function. By gathering them in one volume they attain a different character and tell us more than what the individual books ever could.
Increasingly, development requires a new approach. For a long time it has focused on broad societal structures, neglecting the capacity, creativity and insight of individuals on the ground. This volume aims to change that by taking into account particular histories and individual actors, without forgetting the broad structures in which they live and work.
A critical account of the politics of aid-giving.
The luminous new novel from 'one of the best writers of our time', double Booker Prize winner J. M. Coetzee. 'Full of truth, tearfully moving to read... Brilliant' Evening Standard Simón and David - a tall ten-year-old - are in a new land, together with a woman named Inés. The small family have found a home in which David can thrive. But David is spotted by Julio Fabricante, the director of a local orphanage, playing football with his friends. He shows unusual talent. When David announces that he wants to live with Julio and the children in his care, Simón and Inés are stunned. David is leaving them, and they can only love him and bear witness. The Death of Jesus is the completion of an incomparable trilogy in which J. M. Coetzee explores the meaning of a world empty of memory but brimming with questions. * A New York Times Notable Book * ___________________ 'Extraordinary... Coetzee stands as the pre-eminent novelist in the English-writing world' New Statesman 'You will read its cool, dry final sentences - as I did - with tears in your eyes' The Times
In this volume leading academics explore the relationship between the experiences of terror and helplessness, the way in which survivors remember and the representation of these memories in the language and form of their life stories.
Memories of Mass Repression presents the results of researchers working with the voices of witnesses. Its stories include the witnesses, victims, and survivors; it also reflects the subjective experience of the study of such narratives. The work contributes to the development of the field of oral history, where the creation of the narrative is considered an interaction between the text of the narrator and the listener. The contributors are particularly interested in ways in which memory is created and molded. The interactions of different, even conflicting, memories of other individuals, and society as a whole are considered. In writing the history of genocide, -emotional- memory and -object...
Wide-ranging and engaging, Selves in Question considers the various ways in which auto/biographical accounts situate and question the self in contemporary southern Africa.The twenty-seven interviews presented here consider both the ontological status and the representation of the self. They remind us that the self is constantly under construction in webs of interlocution and that its status and representation are always in question. The contributors, therefore, look at ways in which auto/biographical practices contribute to placing, understanding, and troubling the self and selves in postcolonies in the current global constellation. They examine topics such as the contexts conducive to produ...
Coffee from East Africa, wine from California, chocolate from the Ivory Coast - all those every day products are based on labour, often produced under appalling conditions, but always involving the combination of various work processes we are often not aware of. What is the day-to-day reality for workers in various parts of the world, and how was it in the past? How do they work today, and how did they work in the past? These and many other questions comprise the field of the global history of work – a young discipline that is introduced with this handbook. In 8 thematic chapters, this book discusses these aspects of work in a global and long term perspective, paying attention to several kinds of work. Convict labour, slave and wage labour, labour migration, and workers of the textile industry, but also workers' organisation, strikes, and motivations for work are part of this first handbook of global labour history, written by the most renowned scholars of the profession.
Traumatic experiences and their consequences are often the core of life stories told by survivors of violence. In Trauma: Life Stories of Survivors leading academics explore the relationship between the experiences of terror and helplessness that have caused trauma, the ways in which survivors remember, and the representation of these memories in the language and form of their life stories.International case studies include the migration of Ethiopian Jews to Israel, the life stories of Guatemalan war widows, violence in South Africa, persecution of political prisoners in South Africa and the former Czechoslovakia, lynching in the Mississippi Delta, resistance in Zimbabwe's liberation war, se...