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This first volume in 'The making of the humanities' series focuses on the early modern period. Specialists from various disciplines offer their view on the history of linguistics, literary studies, musicology, historiography, and philosophy.
Islamicate Occult Sciences in Theory and Practice brings together the latest research on Islamic occult sciences from a variety of disciplinary perspectives, namely intellectual history, manuscript studies and material culture. Its aim is not only to showcase the range of pioneering work that is currently being done in these areas, but also to provide a model for closer interaction amongst the disciplines constituting this burgeoning field of study. Furthermore, the book provides the rare opportunity to bridge the gap on an institutional level by bringing the academic and curatorial spheres into dialogue. Contributors include: Charles Burnett, Jean-Charles Coulon, Maryam Ekhtiar, Noah Gardiner, Christiane Gruber, Bink Hallum, Francesca Leoni, Matthew Melvin-Koushki, Michael Noble, Rachel Parikh, Liana Saif, Maria Subtelny, Farouk Yahya, and Travis Zadeh.
Deities, demons, and angels became important protagonists in the magic of the Late Antique world, and were also the main reasons for the condemnation of magic in the Christian era. Supplicatory incantations, rituals of coercion, enticing suffumigations, magical prayers and mystical songs drew spiritual powers to the humain domain. Next to the magician's desire to regulate fate and fortune, it was the communion with the spirit world that gave magic the potential to purify and even deify its practitioners. The sense of elation and the awareness of a metaphysical order caused magic to merge with philosophy (notably Neoplatonism). The heritage of Late Antique theurgy would be passed on to the Ar...
A thoroughly revised, greatly expanded edition of the most important documentary history of European witchcraft ever published.
The Eighty Years’ War and the establishment of two states in the Low Countries inaugurated the publication of numerous texts to support a distinct Northern and Southern identity. This study analyses urban and regional chorographies written both in the North and in the South in the seventeenth century. It examines different strategies that chorographers developed to make sense of the recent and more remote past. It also looks at the development of different historiographical traditions in the Protestant North and the Catholic South and thus contributes to the current research interest in the history of historiography, cultures of memory and identity formation.
The first extensive study of the depiction of the armour in the Thun-Hohenstein Album against the vibrant artistic and cultural contexts that created it. In late medieval and early modern Europe, armour was more than a defensive technology for war or knightly sport. Its diverse types formed a complex visual language. Luxury armour was fitted precisely to a wearer's body, and its memorable details declared his status. Empty armour could evoke an owner's physical presence, prompting recollection of knightly personae, glittering pageantry, and impressive feats of arms. Its mnemonic power persisted long after the battle had ended, the trumpets had gone silent, and the dust had settled in the tou...
"A collection of essays examining medieval and early modern texts aimed at performing magic or receiving illumination via the mediation of angels. Includes discussion of Jewish, Christian and Muslim texts"--Provided by publisher.
Beschrijving en analyse van het proces, waardoor woonwagenbewoners tot een minderheidsgroep werden omgevormd.
First English translation of the chivalric biography of the foremost knight of the late Middle Ages.
At the outbreak of the Second Anglo-Boer War in 1899, a large number of Hollanders and Dutch expatriates joined the Boers, their reasons ranging from loyalty to their common ancestry to strong anti-British sentiments and a search for adventure. Brothers in Arms documents the trials and tribulations of these volunteers – most of them unaccustomed to the harsh landscape and climate of South Africa. Quotations and personal anecdotes from their diaries and memoirs vividly bring to life their hardships on commando, the thunder and chaos of battle, and the trauma of comrades falling around them. Some of the prominent figures in the book are Cornelius van Gogh, brother of the painter Vincent van ...