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Jane Adamson analyses Othello and assesses the title character's complex tragedy.
Linguistics and Literary History systematically explores the advantages of an inter-disciplinary approach within the broad area of English studies. It brings together stylistics, literary theory and diachronic linguistics in order to explore their interaction at various methodological, descriptive and interpretative levels. This unique combination makes this volume on historical stylistics an important work for international scholars and postgraduate students working on the interface between literary history and language change, both from corpus-based and qualitative perspectives. The chapters written by leading scholars in these various fields are an appropriate reference work for teaching and research purposes in the areas of stylistics, historical linguistics, English language and literature, corpus linguistics and literary history.
Is it possible for postmodernism to offer viable, coherent accounts of ethics? Or are our social and intellectual worlds too fragmented for any broad consensus about the moral life? These issues have emerged as some of the most contentious in literary and philosophical studies. In Renegotiating Ethics in Literature, Philosophy, and Theory a distinguished international gathering of philosophers and literary scholars address the reconceptualisations involved in this 'turn towards ethics'. An important feature of this has been a renewed interest in the literary text as a focus for the exploration of ethical issues. Exponents of this trend include Charles Taylor, Bernard Williams, Iris Murdoch, Cora Diamond, Richard Rorty and Martha Nussbaum, the latter a contributor and a key figure in this volume. This book assesses the significance of this development for ethical and literary theory and attempts to articulate an alternative postmodern account of ethics which does not rely on earlier appeals to universal truths.
"Twayne's new critical introductions to Shakespeare." Presents critical arguments on Shakespeare's Troilus and Cressida.
Daniel Adamson’s extreme fondness for women’s ears has led him to commit murder and arson and to consort with prostitutes. As he languishes in a mental hospital, Daniel decides to confess by writing his autobiography. But does he really expect others to believe that he is an innocent victim of society, his upbringing, and his own DNA?·“In this funny-serious book David Aitken pokes his finger in the stomach of the traditional crime novel.” — The Sunday Times (London)
本书在阐述文学伦理学批评理论的缘起和基本原理的基础上,从跨学科的视域就文学伦理学批评的历史主义特征、文学伦理学批评与美学之间的复杂关系、精神分析伦理批评、后殖民伦理批评、生态伦理批评、叙事学与文学伦理学批评、形式主义伦理批评、存在主义伦理批评、马克思主义伦理批评等方面的问题进行了讨论。