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The author examines the media's presentation of graphic images of war, natural disasters, accidents, murder and execution, death and grief and the public's response to these images.
The essays in this volume fall within a chapter on one of the foundational law subjects on the degree syllabus, and aim to provide an account of feminist approaches to each of the following areas: contracts, torts, land law, equity and trusts, criminal law, public law, and European law.
The Pursuit of Pleasure presents the figures of the rambler and the cyprian, the Eighteenth Century precursors to the Parisian flGneur and prostitute. The urban spaces traced by these figures were the clubs, sporting venues, operas, assembly rooms, streets and arcades of central London.Drawing on critical theory, geography and philosophy, The Pursuit of Pleasure extends and critiques the discipline of architectural history from a feminist perspective. The gendering of public space is considered to be a complex and shifting series of moves and looks between men and women, constructed and represented through spatial and social relations of consumption, display and exchange.Illustrated with contemporary prints and drawings, The Pursuit of Pleasure is an extraordinarily rich analysis of the gendered issues of public space at the birth of the modern metropolis.
The Labour government elected in 1997 pledged to reform the Westminster parliament by modernising the House of Commons and removing the hereditary peers from the House of Lords. Events have consequently demonstrated the deep controversy that accompanies such attempts at institutional reconfiguration, and have highlighted the shifting fault lines in executive-legislative relations in the UK, as well as the deep complexities surrounding British constitutional politics. The story of parliamentary reform is about the nature of the British political system, about how the government seeks to expand its control over parliament, and about how parliament discharges its duty to scrutinise the executiv...
Given the remarkable similarities between Burgos's critical analysis and recent feminist legal theory, her writings are still disturbingly relevant today. This study also explores the relationship between melodrama as a genre of manichean worldviews and law as a system of binary oppositions and discusses Burgos's subversion of the former as a means to criticise the latter."--Jacket.
Founded in 1968, Creative Camera has been a forum for influencing the shape and direction of modern photography.
The structure of policing is undergoing change in Scotland at present and the profile of the police officer differs from that of the past. This book takes an informative approach and offers a unique account and insight into the Scottish police organisation, describing the ‘Scottish police officer’ from the point of recruitment through to training, development and specialist policing. Written by an ex-senior police officer, this book examines how the qualified police officer goes about his/her daily work policing and how this has changed over time as a result of organised crime, terrorism and the changing priorities of the public and politicians. The contribution of non-police officers su...
Explores the meanings of photographic 19th century photographic discourse, both visual and verbal, as it related to the status and image of women and children. Of particular importance to the author is how the work of women photographers addressed issues of early feminism. In the course of the book she attempts to use the material to help form the basis of a new critical theory of photography which can take a place next to the more mature theory of film. Distributed by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR