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From Roucan to Riches" traces the story of the Glassell family from their obscure beginnings as humble Scots tenant farmers, through two brothers who made a fortune from tobacco in Virginia, and on to their descendants who made their mark in varied and interesting ways. As the American Revolution loomed, one brother returned to Scotland and the other remained. John settled as a rural Scottish landowner in Longniddry, East Lothian, and demolished the village in the name of agricultural improvement. His daughter was educated in Edinburgh during its "Golden Age", and knew many of its greatest luminaries. She kept a lively diary of her Italian travels, fell for and married the divorced middle-aged heir to the Dukedom of Argyll, and died tragically young. The descendants of Andrew, the "American" brother, became slave-owning Virginian "aristocracy", Civil War heroes and victims, and fabulously wealthy entrepreneurs, one of whom helped to drive forward the development of California. The notorious Second World War figure General George Patton was a descendant of the Californian Glassells.
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This anthology gathers 368 poems by 80 British women poets of the long eighteenth century. Few of these poems have been reprinted since originally published, and all are crucial to understanding fully the literary history of women writers. Paula R. Backscheider and Catherine E. Ingrassia demonstrate the enormous diversity of poetry produced during this time by organizing the poems in three broad and deliberately overlapping categories: by genre, establishing that women wrote in all of the forms that men did with equal mastery and creativity; by theme, offering a revisionary look at the range of topics these writers addressed, including war, ecology, friendship, religion, and the stages of li...
This collection of essays reassesses the importance of verse as a medium in the long eighteenth century, and as an invitation for readers to explore many of the less familiar figures dealt with, alongside the received names of the standard criticism of the period.
Poetry. Jane Gregory's mystifying second collection, YEAH NO, begins with a "Knock knock," inviting the reader into a realmwhere "Everything is a pattern / of yesses and no." Within these pages we find Gregory constructing a multivalent world--ripe with struggle, prophecy, and, by the end, a resemblance of hope. Using her highly-tuned sensibility throughout, Gregory guides us through the anxieties of this journey by inventing new and enigmatic forms filled with sonic experimentation and polyphony. YEAH NO builds upon the singular vision found within her previous collection, MY ENEMIES, and continues her elegant and challenging address to poetry. "At the beginning it feels almost awkward (as ...
A sweeping compendium of British verse from Old and Middle English to the present, including the best work of poets from every corner of the British Isles, The Columbia Anthology of British Poetry offers the most up-to-date and comprehensive single volume available. Carl Woodring and James Shapiro, the same experienced editorial team who brought students and lovers of literature The Columbia History of British Literature, now present a volume that resonates with contemporary significance, yet also takes into account the centuries-old poetic tradition that planted Great Britain centrally in the canon of Western Literature. The Columbia Anthology pays tribute to the renowned works that any inc...
Presents a comprehensive A-to-Z reference with approximately 400 entries providing facts about British poets and their poetry from the seventeenth and eighteenth centuries.
In the most comprehensive, up-to-date account of the poetry published in Britain between the Restoration and the end of the eighteenth century, a team of leading experts surveys the poetry of the age in all its richness and diversity. They provide a systematic overview, and restore these poetic works to a position of centrality in modern criticism.