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Suzanne Churchill's well-researched and superbly crafted study is the first book-length treatment of Others, an important and neglected little magazine that served as a laboratory for modernist poetic experimentation. In discussions of influential poets such as Mina Loy, Marianne Moore, and William Carlos Williams, whose careers Others helped launch, Churchill counters the notion of Modernism as aesthetically self-isolating and socially disengaged. Rather, she traces a correspondence between formal innovation and social change in American modernist poetry and argues that this dimension of modernist formalism is lost when poems are studied in isolation. Others provides a framework for reassessing the scope and significance of modernist formalism. The little magazine not only anchors modernist poetry in a social context but also leads to new insight into major modernist texts. Churchill's commitment to her subject's broad cultural contexts makes her book important for students and teachers of Modernism as well as for those working in the fields of American poetry and poetics, gender studies, queer theory, periodical studies, and cultural studies.
There have been many histories of Christian art and architecturebut none written be a theologian such as Kevin Seasoltz. Following a chapter on culture as the context for theology, liturgy, and art, Seasoltz surveys developments from the early church up through the conventional artistic styles and periods. Comprehensive, illuminating, ecumenical.
Mona van Dyun is a former U.S. poet laureate (1992) and winner of a Pulitzer Prize (1991). To help broaden and inform our understanding of her work, the editor of this volume has gathered together ten essays, a poem, and a biographical sketch, as well as the author's own laureate address to the Library of Congress. The first section of this collection include tributes by other poets that elucidate the special effect Van Duyn's poetry has had on their work and thought, as well as a poem that extols the qualities of her poems and places those qualities within her contempoarary scene. The second section contains eight essays exploring aspects as varied as Van Duyn's penchant for particularity, her remarkable ability to rediscover for us the strangeness of everyday living, and her elegant style, fluid in both free verse and form. The final section opens with Van Duyn's overview of the state of poetry in America at the close of the twentieth century, and a short narrative history of her literary career.
This substantial anthology charts the development of this influential journal decade by decade, making clear that although it has close ties to a particular region, it has consistently maintained a national scope, publishing poets from all over the United States. SPR’s goal has been to celebrate the poem above all, so although there are poems by major poets here, there are many gems by less famous, perhaps even obscure, writers too. Here are 183 poems by nearly as many poets, from A. R. Ammons, Kathryn Stripling Byer, James Dickey, Mark Doty, Claudia Emerson, David Ignatow, and Carolyn Kizer to Ted Kooser, Maxine Kumin, Denise Levertov, Howard Nemerov, Sharon Olds, Linda Pastan, and Charles Wright.
Jimmy is a ten-year-old boy who has grown up too fast. None of his friends believe in Santa, and it is no longer cool for him to believe either. Even though Jimmy saw Santa one Christmas when he was young, he still refuses to accept him. In an effort to restore some of Jimmy's faith, Santa Claus orchestrates a special night that will not easily be forgotten. He answers some of the big questions that Jimmy has about how Santa works, but, most important, Jimmy learns the true meaning of Christmas. Will Jimmy be able to believe after A Night with St. Nick?
"[When Hens Crow] looks in an original way at the ideas of the first feminists . . . a pioneering work, written in a clear style and firmly grounded in recent scholarship. . . ." —Journal of American History In 1852 the New York Daily Herald described leaders of the woman's rights movement as "hens that crow." Using speeches, pamphlets, newspaper reports, editorials, and personal papers, Sylvia Hoffert discusses how ideology, language, and strategies of early woman's rights advocates influenced a new political culture grudgingly inclusive of women. She shows the impact of philosophies of republicanism, natural rights, utilitarianism, and the Scottish Common Sense School in helping activists move beyond the limits of Republican Motherhood and the ideals of domesticity and benevolence. When Hens Crow also illustrates the work of the penny press in spreading the demands of woman's rights advocates to a wide audience, establishing the competence of women to contribute to public discourse and public life.
More than thirty years have passed since poet Miller Williams compiled his anthology Ozark, Ozark: A Hillside Reader, but time has not whittled away the talent of writers living in or native to the Ozarks. Yonder Mountain, inspired by Williams’s collection, remains rooted in the literary legacy of the Ozarks while reflecting the diversity and change of the region. Readers will find fresh, creative, honest voices profoundly influenced by the landscape and culture of the Ozark Mountains. Poets, novelists, columnists, and historians are represented—Donald Harington, Sara Burge, Marcus Cafagna, Art Homer, Pattiann Rogers, Miller Williams, Roy Reed, Dan Woodrell, and more.
Preliminary material /Lucia Boldrini -- ACKNOWLEDGEMENTS /Lucia Boldrini -- BIBLIOGRAPHICAL NOTE /Lucia Boldrini -- INTRODUCTION: MIDDAYEVIL JOYCE /Lucia Boldrini -- THE RETURN OF MEDIEVALISM: JAMES JOYCE IN 1923 /Jed Deppman -- “QUELLA VISTA NOVA”: DANTE, MATHEMATICS AND THE ENDING OF ULYSSES /Reed Way Dasenbrock and Ray Mines -- AVERROES' SEARCH: DANTE'S MODERNISM AND JOYCE /Jeremy Tambling -- MILLY'S DREAM, BLOOM'S BODY AND THE MEDIEVAL TECHNIQUE OF INTERLACE /Guillemette Bolens -- JOYCE'S OTHER FATHER: THE CASE FOR CHAUCER /Helen Cooper -- CHARTING THE COURSE OF THE COMMEDIA'S EMBRYO IN A PORTRAIT OF THE ARTIST AS A YOUNG MAN /Jennifer Fraser -- THE MEDIEVAL IRONY OF JOYCE'S PORTRAIT /Sam Slote -- LET DANTE BE SILENT: FINNEGANS WAKE AND THE MEDIEVAL THEORY OF POLYSEMY /Lucia Boldrini -- NOTES ON CONTRIBUTORS /Lucia Boldrini -- INDEX /Lucia Boldrini.
Making No Compromise is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literatu...
Out of Sequence: The Sonnets Remixed brings together 154 remixes of William Shakespeare’s 1609 sonnet sequence. If Shakespeare the auteur and his sonnets have influenced so much of how we think (and act) as humans, this collection asks how might we be un- (and redone) by the conscious act of responding to (or through) these seventeenth-century verses? Here you will find a wide variety of remixes: entries various by their form — poems, short essays, comics, songs, and art; and various by their remixer — poets, essayists, artists, musicians, and scholars. Here you will walk into a queer utopia, a place where things and people touch, though they are too often taught not to.