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Photographic Incarnations
Fotografska monografija prinaša sto barvnih in črno-belih fotografij iz dvajsetletnega (1982–2002) fotografovega umetniškega ustvarjanja. Izbor fotografij je opravil Štravs sam in zajel različna področja svojega ustvarjanja: moda, portret in fotografije, ki jih zaznamuje njegova osebna mitologija. Z izborom je ustvaril zgodbo, ki je zelo odprta za interpretacije.
Jane Štravs
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Vizz INTL
Showcases a broad range of cutting-edge creative material where artistic passion and commercial purpose come together in a fusion of dynamic design for the purpose of influencing, convincing, and even shocking, today's consumer.
Partisans in Yugoslavia
The ubiquitous Partisan narrative in Yugoslavia served well as founding myth of its newly united people. Its retrospective deconstruction has absorbed most of the academic attention for the Yugoslav Partisans since the break-up. This edition in contrast looks into the (hybrid) nature of partisanship itself as it appears in film, art, and literature. It explores the Partisans in Yugoslavia in Partisan novels, films, and songs, analyzes the - still ongoing - transformation process of the Partisan narrative, and reviews its transitions into popular (visual) culture.
Flash Art
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CMJ New Music Report
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
Art/33/Basel
The 2002 Basel art fair presented works of over 1000 modern and contemporary artists from around the world from 268 galleries.
Politike reprezentacije v Jugovzhodni Evropi na prelomu stoletij
Zbornik prinaša poglobljeno in teoretsko razdelano obravnavo reprezentacijskih funkcij širokega spektra družbenih, kulturnih, političnih / verbalnih, vizualnih in glasbenih praks v Sloveniji in v sorodnih družbah. Nastal je v prepričanju, da je premislek o pomenu in funkcijah družbenih reprezentacij nujno treba premakniti s področja medijskih študij, saj so bile reprezentacije do zdaj obravnavane predvsem v okviru medijskih praks in diskurzov. Upamo, da bo pričujoči izbor besedil pomembno prispeval k sodobni slovenski akademski razpravi o naravi družbenih praks in identitet ter o načinih, kako družbene prakse, tudi kadar niso eksplicitno povezane s politiko, zaradi svoje reprezentacijske narave pridobivajo politični pomen in s tem neposredno vplivajo na družbeni položaj posameznikov in skupin in na razdelitev družbene moči.
