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War and the Works of J.R.R. Tolkien
Having participated in the First World War, and having seen two of his sons serve in the Second, Tolkien was concerned with many of the same themes that interested other writers in the post-war period. The rhythm of war flows through his writings, but his own interpretation of the themes, symbols, and motifs of war, however, were influenced by his religious views and his interest in fantasy, which add another layer of meaning and a sense of timelessness to his writing. Croft explores the different aspect of Tolkien's relationship with war both in his life and in his work from the early Book of Lost Tales to his last story Smith of Wootten Major, and concentrating on his greatest and most wel...
Perilous and Fair
Includes seven classic articles as well as seven new examinations of women in Tolkien's works and life bringing together not only perspectives on Tolkien's most commonly discussed female characters -- aEowyn, Galadriel, and Lauthien -- but also on less studies figures such as Nienna, Yavanna, Shelob, and Arwen.
Baptism of Fire
World War I has been called "the poets' war," as it was characterized by a massive outpouring of works of literature during and after the war. Much of this literary harvest, as Paul Fussell brilliantly demonstrated in The Great War and Modern Memory, hinged on an ironic response to the deadly absurdities of World War I. Yet, Fussell also acknowledges that fantasy could be a legitimate literary response to the war, a way of transforming the horrible experiences of the war into something more bearable, applicable, and relevant; into myth and "Escape" in the sense that Tolkien used the term in "On Fairy-stories." This present volume sprang from a desire to examine selected examples of the fantastic response to World War I among British authors. The contents comprise a mix of five classic articles from the pages of Mythlore and twelve new essays. The first half of the book considers the Inklings, the Oxford literary group centered on J. R. R. Tolkien and C. S. Lewis, while the second half deals with other authors.
"Something Has Gone Crack"
"Something has gone crack," Tolkien wrote about the first death among his tight-knit fellowship of friends in 1916, and the impact of the war haunted his writing for the rest of his life. In his work, the Great War serves as a source of imagery, motifs, themes and of personal trauma to be worked out in meaningful symbolic form throughout his life.
Tolkien on Film
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Tolkien and Shakespeare
Tolkien and Shakespeare: one a prolific popular dramatist and poet of the Elizabethan era, the other a twentieth-century scholar of Old English and author of a considerably smaller body of work. Though unquestionably very different writers, the two have more in common than one might expect. These essays focus on the broad themes and motifs which concerned both authors. They seek to uncover Shakespeare's influence on Tolkien through echoes of the playwright's themes and even word choices, discovering how Tolkien used, revised, updated, "corrected," and otherwise held an ongoing dialogue with Shakespeare's works. The depiction of Elves and the world of Faerie, and how humans interact with them, are some of the most obvious points of comparison and difference for the two writers. Both Tolkien and Shakespeare deeply explored the uses and abuses of power with princes, politics, war, and the lessons of history. Magic and prophecy were also of great concern to both authors, and the works of both are full of encounters with the Other: masks and disguises, mirrors that hide and reveal, or seeing stones that show only part of the truth.
Tolkien in the New Century
Widely considered one of the leading experts on the works of J.R.R. Tolkien, Thomas Alan Shippey has informed and enlightened a generation of Tolkien scholars and fans. In this collection, friends and colleagues honor Shippey with 15 essays that reflect their mentor's research interests, methods of literary criticism and attention to Tolkien's shorter works. In a wide-ranging consideration of Tolkien's oeuvre, the contributors explore the influence of 19th and 20th century book illustrations on Tolkien's work; utopia and fantasy in Tolkien's Middle-earth; the Silmarils, the Arkenstone, and the One Ring as thematic vehicles; the pattern of decline in Middle-earth as reflected in the diminishing power of language; Tolkien's interest in medieval genres; the heroism of secondary characters; and numerous other topics. Also included are brief memoirs by Shippey's colleagues and friends in academia and fandom and a bibliography of Shippey's work.
Tolkien Studies
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Sisterhood, Science and Surveillance in Orphan Black
The BBC America series Orphan Black (2013-2017) won acclaim for its compelling writing, resonant themes and innovative special effects. And for the bravura acting of Tatiana Maslany, who plays an ever-growing number of clones drawn into an increasingly dangerous world of cutting-edge science, corporate espionage, military secrets and religious fanaticism. Heir to pioneering shows centered on strong female characters, such as Buffy the Vampire Slayer, Dollhouse, Lost and Xena: Warrior Princess, Orphan Black models the current Golden Age of serial-form storytelling, with themes of identity, bodily autonomy, gender and sexuality playing against corporate greed and its co-opting of science. This collection of new essays analyzes the diverse clone characters and the series, covering topics including motherhood, surveillance culture, mythology, eugenics, and special effects, as well as the science behind cloning.
Tolkien and the Study of His Sources
Source criticism--analysis of a writer's source material--has emerged as one of the most popular approaches in exploring the work of J.R.R. Tolkien. Since Tolkien drew from many disparate sources, an understanding of these sources, as well as how and why he incorporated them, can enhance readers' appreciation. This set of new essays by leading Tolkien scholars describes the theory and methodology for proper source criticism and provides practical demonstrations of the approach.
