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The Cruel Radiance
Susie Linfield addresses the issue of whether photographs depicting past scenes of violence & cruelty are voyeuristic, arguing that if we do not look & understand that we are seeing at people, rather than depersonalised acts of inhumanity, our hopes of curbing political violence today are probably limited.
Engaged Observers
A critical survey of nine documentary photographers who were at the cutting edge of this form of journalism during the second half of the 20th century, 'Engaged Observers' shows how since the sixties photographers such as Leonard Freed & Susan Meiselas have challenged the conventional objectivity of the newsroom.
Transforming the Culture of Dying
Transforming the Culture of Dying assesses the establishment of the Project on Death in America and evaluates its the contributions to the development of the palliative care field and end of life care in American society.
Tourists of History
In Tourists of History, the cultural critic Marita Sturken argues that over the past two decades, Americans have responded to national trauma through consumerism, kitsch sentiment, and tourist practices in ways that reveal a tenacious investment in the idea of America’s innocence. Sturken investigates the consumerism that followed from the September 11th attacks; the contentious, ongoing debates about memorials and celebrity-architect designed buildings at Ground Zero; and two outcomes of the bombing of the Alfred P. Murrah Federal Building in Oklahoma City: the Oklahoma City National Memorial and the execution of Timothy McVeigh. Sturken contends that a consumer culture of comfort objects...
American Photo
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War is Personal
A compilation of fifteen real-life stories that speak of what it means to go to war, to sacrifice, to wait, to hope, to mourn, to remember, to live on when those you love are gone.
Below the Line
In the tradition of the classic photodocumentaries that emerged from the Depression years and the 1960s, Below the Line depicts the deplorable extent of poverty that exists in the United States today. In early 1986, Consumers Union commissioned esteemed photographer Eugene Richards to travel across the country to document the dimensions of American poverty. In 144 unforgettable photographs and 14 essays, Richards captures the hoplessness of urban youth, the struggle of Midwestern farmers, the squalor of day-to-day existence for Mexican-American immigrants living in Texas border towns. The men and women of Shantytown on new York City's Lower East Side, a fifteen year old Chicago girl with two children, a Korean war vet and ex-Green Beret living in a Boston shelter, these people tell their stories in a text culled from mroe than one hundred hours of interviews, accompanied by Richards' exceptional portraits.
The Fat Baby
The first extensive monograph on the acclaimed American documentary photographer.
Stepping Through the Ashes
"Steppping Through the Ashes" is a photographic elegy to those who died on September 11, and a portrait of how people are coping in the wake of the terrorist attack on New York. Many photographers have recorded the devastation, but Eugene Richards transcends description to offer instead a way of coming to terms with this tragedy. Interviews with survivors and victims' relatives complement Richards' beautiful and poignant images. It may be the best photo book yet on those hard days. --"Albuquerque Journal" Richards is arguably the most empathetic photographer working when it comes to showing the hard parts of people's lives... Once again, Richards has wrought a personal elegy for those who are just learning to cope with what has happened to them. --"New Yorker"
Exploding Into Life
"In 1978, thirty-four-year-old Dorothea Lynch discovered she had breast cancer. In an attempt to gain control of the disease and communicate her experience to others, she asked her longtime companion, Eugene Richards, to visually document her struggle while she kept a written diary. Exploding Into Life is the synthesis of their two experiences. What begins as their need to know the facts about cancer becomes, as the years pass, a highly personal inquiry into what it means to be alive, to face the uncertain future, and to accept death. The book that results is a testament to a woman's strength, intelligence, and sensitivity as she confronts cancer, a medical care system, and cultural attitudes towards illness and mortality"--Eugene Richards' website, viewed on December 1, 2014.
