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Ecstatic Worlds
When media translate the world to the world: twentieth-century utopian projects including Edward Steichen's “Family of Man,” Jacques Cousteau's underwater films, and Buckminster Fuller's geoscope. Postwar artists and architects have used photography, film, and other media to imagine and record the world as a wonder of collaborative entanglement—to translate the world for the world. In this book, Janine Marchessault examines a series of utopian media events that opened up and expanded the cosmos, creating ecstatic collective experiences for spectators and participants. Marchessault shows that Edward Steichen’s 1955 “Family of Man” photography exhibition, for example, and Jacques C...
Gendering the Nation
The definitive collection of essays, both original and previously published, that address the impact and influence of a century of women's film making in Canada.
Mirror Machine
This anthology examines the relation between identity politics and independent video practices in Canada. From different vantage points the contributors carve out a central problematic: video as a technology that has challenged and extended not only the parameters of modern art but the very possibility of cultural resistance in the age of global television. The essays explore video's representational vocation shaped both by institutional supports (National Film Board, Canada Council, Cable, etc.) and by community needs for agency and voice. Essays by Renee Baert, Marjorie Beaucage, Rom Burnett, Kevin Dowler, Tom Folland, Monika Kim Gagnon, Peggy Gale, Jennifer Kawaja, Janine Marchessault, Christine Ross, Nancy Shaw, Dot Tuer and Thomas Waugh.
Process Cinema
Handmade films stretch back to cinema's beginnings, yet until now their rich history has been neglected. Process Cinema is the first book to trace the development of handmade and hand-processed film in its historical and contemporary contexts, and from a global perspective. Mapping the genealogy of handmade film, and uncovering confluences, influences, and interstices between various international movements, sites, and practices, Process Cinema positions the resurgence of handmade and process cinema as a counter-practice to the rise of digital filmmaking. This volume brings together a range of renowned academics and artists to examine contemporary artisanal films, DIY labs, and filmmakers ty...
Capital Culture
Berland (humanities, York U., Canada) and Hornstein (art history, York U.) present 22 contributions that attempt to explore the connections between art and money in a world increasingly dominated by the practices and ideologies of market culture. Consisting of both essays and reproductions of art works, the contributions come from Canadian artists, academics, curators, and critics. Among the topics addressed in the essays are the relationship between nationalism and the value of art, a challenge to the universality of aesthetics, the erosion of artistic and educational freedoms, and cultural policy and funding in Canada. Annotation copyrighted by Book News, Inc., Portland, OR
Rain, Drizzle, Fog
Offers a scholarly study of film and television in Atlantic Canada. This book provides a historical overview of film and television in the region, as well as essays on specific topics such as popular TV (""The Trailer Park Boys""), early TV (""The Don Messer Show"") and the work of filmmakers such as Bill MacGillivray and Andrea Dorfman.
Testimony and Trauma
This book offers a collection of reflective essays on current testimonial production by researchers and practitioners working in multifaceted fields such as art and film performance, public memorialization, scriptotherapy, and fictional and non-fictional testimony. The inter-disciplinary approach to the question of testimony offers a current account of testimony’s diversity in the twenty-first century as well as its relevance within the fields of art, storytelling, trauma, and activism. The range of topics engage with questions of genre and modes of representation, ethical and political concerns of testimony, and the flaws and limitations of testimonial production giving testament to some of the ethical concerns of our present age. Contributors are Alison Atkinson-Phillips, Olga Bezhanova, Melissa Burchard, Mateusz Chaberski, Candace Couse, Tracy Crowe Morey, Marwa Sayed Hanafy, Rachel Joy, Emma Kelly, Timothy Long, Elizabeth Matheson, Antonio Prado del Santo, Christine Ramsay, Cristina Santos and Adriana Spahr.
Explorations 1
Explorations: Studies in Culture and Communication, principally edited by Edmund Carpenter and Marshall McLuhan, was the first postwar journal to engage directly with the new "grammars" of mid-century new media of communication. Launched in Toronto in 1953, at the very moment that television made its national debut in Canada, Explorations presented a mosaic of approaches to contemporary media culture and became the site in which McLuhan and Carpenter first formulated their most striking insights about new media in the electric age. The extraordinary breadth of contributions to Explorations from leading thinkers across the arts, humanities, social and natural sciences makes this journal a founding publication in the now burgeoning field of media studies. Originally funded by a Ford Foundation grant, the eight coedited issues of Explorations ran from 1953 to 1957 and are reprinted here for the first time in sixty years. For a listing of all articles in this series, refer to the Summaries at the end of the series introduction.
Harold Innis in the New Century
The book is divided into three sections: "Reflections on Innis" provides a historical reassessment of Innis, "Gaps and Silences" considers the limitations of both Innis's thought and his interpreters, and "Innis and Cultural Theory" offers speculations on his influence on cultural analysis. The interpretations offered reflect the changing landscape of intellectual life as boundaries between traditional disciplines blur and new interdisciplinary fields emerge. Harold Innis in the New Century is a valuable resource for scholars and students of Canadian studies, communication studies, cultural studies, economic history, and political science. Contributors include Charles R. Acland (Calgary), Al...
3D Cinema and Beyond
Film, Television and Cinema.
