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Beyond Lost Dreams
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We Were in Auschwitz
Written in 1945 by three young Polish former inmates of Auschwitz, " We Were in Auschwitz" was one of the very first books ever written about the horrors of the Nazi concentration camp. The book reflects the political chaos just after the war and tells first hand the horrors of the Holocaust.
Between National Socialism and Soviet Communism
In May of 1945, there were more than eight million “displaced persons” (or DPs) in Germany—recently liberated foreign workers, concentration camp prisoners, and prisoners of war from all of Nazi-occupied Europe, as well as eastern Europeans who had fled west before the advancing Red Army. Although most of them quickly returned home, it soon became clear that large numbers of eastern European DPs could or would not do so. Focusing on Bavaria, in the heart of the American occupation zone, Between National Socialism and Soviet Communism examines the cultural and political worlds that four groups of displaced persons—Polish, Ukrainian, Russian, and Jewish—created in Germany during the ...
The United States Holocaust Memorial Museum Encyclopedia of Camps and Ghettos, 1933–1945: Volume I
Winner of the National Jewish Book Award: “This valuable resource covers an aspect of the Holocaust rarely addressed and never in such detail.” —Library Journal This is the first volume in a monumental seven-volume encyclopedia, reflecting years of work by the Jack, Joseph, and Morton Mandel Center for Advanced Holocaust Studies at the United States Holocaust Memorial Museum, which will describe the universe of camps and ghettos—many thousands more than previously known—that the Nazis and their allies operated, from Norway to North Africa and from France to Russia. For the first time, a single reference work will provide detailed information on each individual site. This first volu...
Jakub's World
When German troops come to the small village of BeÂzŒyce, Poland, in 1939, nine-year-old Jakub Szabmacher's world is forever changed. At first the humiliations inflicted by the Germans seem small, but the conditions worsen until eventually Jakub's family and much of his village are murdered, and he is sent to various concentration camps in Poland and Germany, where he struggles to survive the terrible conditions of camp life. Finally liberated in 1945 from the concentration camp in Flossenbürg, Germany, Jakub is befriended by American troops and with their help brought to the United States, where he takes the name Jack Terry. Coauthor Alicia Nitecki, whose grandfather was also imprisoned at Flossenbürg, uses Terry's personal memories to tell young Jakub's story, as well as unpublished memoirs, private letters, and interviews with former inmates of the Flossenbürg concentration camp and the townspeople of BeÂzŒyce and Flossenbürg. Part history, part autobiography, Jakub's World offers an anguished young boy's perspective on the Holocaust.
Postal Indiscretions
In a brief life deeply and traumatically disrupted by two years in concentration camps as a political prisoner, Tadeusz Borowski (1922-1951) was tragically destined to become one of the most eloquent witnesses to the Holocaust in Poland. His recollections and stories, the most famous of which is This Way for the Gas, Ladies and Gentlemen, document in stark historical, literary, and personal terms the experience of the camps and its cost to humanity. The correspondence in this volume expands on the insights of Borowski's published work and extends to the less-documented aftermath of the Holocaust in postwar Poland and East Germany. The volume opens with Borowski's letter to his mother from Pa...
Polish Film and the Holocaust
During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska’s The Last Stage (1948) and Aleksander Ford’s Border Street (1949), and next explores t...
Pamiętnik literacki
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A Thousand Darknesses
What is the difference between writing a novel about the Holocaust and fabricating a memoir? Do narratives about the Holocaust have a special obligation to be 'truthful'--that is, faithful to the facts of history? Or is it okay to lie in such works? In her provocative study A Thousand Darknesses, Ruth Franklin investigates these questions as they arise in the most significant works of Holocaust fiction, from Tadeusz Borowski's Auschwitz stories to Jonathan Safran Foer's postmodernist family history. Franklin argues that the memory-obsessed culture of the last few decades has led us to mistakenly focus on testimony as the only valid form of Holocaust writing. As even the most canonical texts ...
