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Audio Production and Critical Listening
  • Language: en
  • Pages: 160

Audio Production and Critical Listening

Audio Production and Critical Listening: Technical Ear Training, Second Edition develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer. Featuring an accessible writing style, this new edition includes information on objective measurements of sound, technical descriptions of signal processing, and their relationships to subjective impressions of sound. It also includes information on hearing conservation, ear plugs, and listening levels, as well as bias in the listening process. The interactive web browser-based "ear training" software practice modules provide experience identifying various types of signal processes and manipulations...

Mixing Music
  • Language: en
  • Pages: 307

Mixing Music

This series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative, and professional contexts. We solicit the perspectives of scholars of every disciplinary stripe, alongside recordists and recording musicians themselves, to provide a fully comprehensive analytic point-of-view on each component stage of record production. Each volume in the series thus focuses directly on a distinct aesthetic "moment" in a record’s production, from pre-production through recording (audio engineering), mixing and mastering to marketing and promotions. This first volume in the series, titled Mixing Music, focuses directly on the mixing process. This book includes: References and citations to existing academic works; contributors draw new conclusions from their personal research, interviews, and experience. Models innovative methodological approaches to studying music production. Helps specify the term "record production," especially as it is currently used in the broader field of music production studies.

Recording Studio Design
  • Language: en
  • Pages: 846

Recording Studio Design

Recording Studio Design, Fourth Edition explains the key principles of successful studio design and construction using straightforward language and the use of practical examples appreciated by readers of previous editions. Updated to reflect new industry standards, this fourth edition addresses improvements in cinema sound, with specific attention paid to B-chain electroacoustic response and calibration. Using over 50 years’ experience, author Philip Newell provides detail on the practical aspects of recording in various environments, not only exploring the complex issues relating to the acoustics but also providing real-world solutions. While the book contains detailed discussions about p...

Music at Michigan
  • Language: en
  • Pages: 416

Music at Michigan

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Signal
  • Language: en
  • Pages: 428

Signal

  • Type: Book
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  • Published: 2016
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  • Publisher: Unknown

None

Official Gazette of the United States Patent and Trademark Office
  • Language: en
  • Pages: 930

Official Gazette of the United States Patent and Trademark Office

  • Type: Book
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  • Published: 2002
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  • Publisher: Unknown

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School of Music Programs
  • Language: en
  • Pages: 1152

School of Music Programs

  • Type: Book
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  • Published: 2002
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  • Publisher: Unknown

None

The Family of Zaccheus Gould of Topsfield
  • Language: en
  • Pages: 418

The Family of Zaccheus Gould of Topsfield

  • Type: Book
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  • Published: 1895
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  • Publisher: Unknown

Zaccheus Gould (1589-1668) immigrated during or before 1639 from England to Weymouth, Massachusetts, and shortly moved to Lynn, Massachusetts. He later moved to Ipswich and then Topsfield, Massachusetts. Descendants and relatives lived in New England, New York, Ohio and elsewhere. Includes Gould ancestry and genealogical data in England to 1455 A.D.

The Foundations of Rock
  • Language: en
  • Pages: 442

The Foundations of Rock

  • Type: Book
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  • Published: 2009-03-05
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  • Publisher: OUP USA

This is a comprehensive introduction to the inner workings of rock music. Everett takes readers through all aspects of the music and its lyrics, leading fans and listeners to new insights and new ways to develop their own interpretations of the aural landscapes of their lives.

Music Theory Through Improvisation
  • Language: en
  • Pages: 434

Music Theory Through Improvisation

  • Type: Book
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  • Published: 2013-07-04
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  • Publisher: Routledge

Designed for Music Theory courses, Music Theory Through Improvisation presents a unique approach to basic theory and musicianship training that examines the study of traditional theory through the art of improvisation. The book follows the same general progression of diatonic to non-diatonic harmony in conventional approaches, but integrates improvisation, composition, keyboard harmony, analysis, and rhythm. Conventional approaches to basic musicianship have largely been oriented toward study of common practice harmony from the Euroclassical tradition, with a heavy emphasis in four-part chorale writing. The author’s entirely new pathway places the study of harmony within improvisation and composition in stylistically diverse format, with jazz and popular music serving as important stylistic sources. Supplemental materials include a play-along audio in the downloadable resources for improvisation and a companion website with resources for students and instructors.