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Obsessions of Georges Bataille, The
Featuring a new translation of Jean-Luc Nancy's "Confronted Community" and three essays by Bataille on community and communication available here in English for the first time, The Obsessions of Georges Bataille offers an indispensable account of Bataille's work. Despite the influence of Bataille on French continental thought, his ideas remain famously obscure. This volume clarifies them by approaching Bataille's thought through the themes of community and communication. Taking up the dialogue of Nancy and Maurice Blanchot on Bataille's ideas about community, the essays engage the many perspectives from which he approaches community: encouraging greater community, expressing concern with community, and addressing the connections between community and one's inner experience. Communication is brought out not as a singular activity, but as a collective natural state—a medium for human expression and relations.
The Grateful Dead in Concert
This book offers a spirited analysis of the unique improvisational character of Grateful Dead music and its impact on appreciative fans. The 20 essays capture distinct facets of the Grateful Dead phenomenon from a broad range of scholarly angles. The band's trademark synergizing focus is discussed as a function of complex musical improvisation interlaced with the band members' collective assimilation of an impressive range of marginal musical forms and lyrical traditions. These facets are shown to produce a vibrant Deadhead experience, resulting in community influences still morphing in new directions 45 years after the band's initial impact.
The Scene of the Voice
The recent turns to affect and aesthetics in the humanities and the interpretive social sciences have been productive for reflecting on the crucial role sensibility plays in the constitution of the social. However, these scholarly developments construct their interventions by dismissing the attention to language that was central to the linguistic and cultural turns of previous eras and by claiming that language is an obstacle to experiencing the reality of difference to which they maintain only sensibility can grant access. By analyzing the figure of the voice in the work of Martin Heidegger and the continental thinkers who follow him, The Scene of the Voice shows that the dismissal of language in favor of sensibility requires overlooking their common connection in the problem of mimesis. As this book ultimately argues, artificially separating language and sensibility results in a failure to encounter affect, the relation to difference affect is said to name, and the experience of thinking affect is taken to provoke.
The End(s) of Community
This book stems from an examination of how Western philosophy has accounted for the foundations of law. In this tradition, the character of the “sovereign” or “lawgiver” has provided the solution to this problem. But how does the sovereign acquire the right to found law? As soon as we ask this question we are immediately confronted with a convoluted combination of jurisprudence and theology. The author begins by tracing a lengthy and deeply nuanced exchange between Derrida and Nancy on the question of community and fraternity and then moves on to engage with a diverse set of texts from the Marquis de Sade, Saint Augustine, Kant, Hegel, and Kafka. These texts—which range from the canonical to the apocryphal—all struggle in their own manner with the question of the foundations of law. Each offers a path to the law. If a reader accepts any path as it is and follows without question, the law is set and determined and the possibility of dialogue is closed. The aim of this book is to approach the foundations of law from a series of different angles so that we can begin to see that those foundations are always in question and open to the possibility of dialogue.
Difficult Atheism
Drawing primarily on the work of Alain Badiou and Jean-Luc Nancy, plus Quentin Meillassoux and Slavoj Zizek, Watkin explores the theme of atheism through the ideas of the death of God and nihilism in contemporary French philosophy.
Elevated Realms - An Anatomy of Mina Loy
Mina Loy has long been recognised as a writer who insists on the primacy of the corporeal. Over two volumes, Sara Crangle excavates how Loy's relationship to the human body was inextricable from her esoteric understanding of the human soul. Elevated Realms is the first study book-length study devoted to Loy's affinities with alternative spiritualities ancient and modern. Aligning Loy's heterodoxies with her vanguardism, this volume considers Loy's engagements with mesmerism, spiritualism and telepathy; enchantment and visionariness; psychoanalysis, philosophy and physics; Christian Science and Theosophy. Attending to Loy's presentations of the upper half of the body - heartscapes, spines, eyes and nerve centres - Elevated Realms unearths the coordinates of Loy's esoteric Eros, a transcendent, orgasmic love that is cosmic, intimate, aesthetic and a corrective to women's disregarded satiation. The requisite counterpart to her acerbic feminist satires, Loy's Eros re-envisions abjectified, feminised posturing as a dorsality with the potential to access the beyond.
Tragically Speaking
From German idealism onward, Western thinkers have sought to revalue tragedy, invariably converging at one cardinal point: tragic art risks aestheticizing real violence. Tragically Speaking critically examines this revaluation, offering a new understanding of the changing meaning of tragedy in literary and moral discourse. It questions common assumptions about the Greeks’ philosophical relation to the tragic tradition and about the ethical and political ramifications of contemporary theories of tragedy. Starting with the poet Friedrich Hölderlin and continuing to the present, Kalliopi Nikolopoulou traces how tragedy was translated into an idea (“the tragic”) that was then revised furt...
Rethinking the Political
A compelling account of a controversial and innovative episode in sociological thought
Taking It to the Bridge
Musicologists and performance studies scholars reach across their disciplines to examine the role of performance in musical culture
Noise Matters
Everyone knows what noise is. Or do they? Can we in fact say that one man's noise is another teenager's music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common definitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen). Greg Hainge sets out to define noise in this way, to find within it a series of operations common across its multiple manifestations that allow us to apprehend it as something other than a highly subjective term that tells us very little. Examining a wide range of texts, including Sartre's novel Nausea and David Lynch's iconic films Eraserhead and Inland Empire, Hainge investigates some of the Twentieth Century's most infamous noisemongers to suggest that they're not that noisy after all; and it finds true noise in some surprising places. The result is a thrilling and illuminating study of sound and culture.
