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Eminent art historian Charles C. Eldredge brings together top scholars to celebrate forgotten artists and create a more inclusive history of American art. Why do some artists become canonical, while others, equally respected in their time, fall into obscurity? This question is central to The Unforgettables, a vibrant collection of essays by leading experts on American art. Each contributor presents a brief for an artist deserving of new or renewed attention, including artists from the colonial era to recent years working in a wide variety of mediums. Histories of American art have traditionally highlighted the work of a familiar roster of artists, largely white and male. The achievements of their peers, notably women and artists of color, have gone uncelebrated. The essays in this volume provide a new and richer understanding of American art, expanding the canon to include many worthy talents. A number of these artists were acclaimed in their day; others, having missed that acclaim, may achieve it now. With contributions from major scholars and museum professionals, The Unforgettables rescues and revises reputations as it enhances and enriches the history of American art.
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LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
In the Wright brothers saga, Edward Huffaker enters and exits Kitty Hawk in 1901, before the fabled first controlled manned flight in 1903. Rescuing this figure from obscurity, the authors admirably refrain from overplaying his significance. The value of their short, straightforward biography is that Huffaker's place in aviation history might have been lost had not the late Steven Hensley found, in the 1950s, Huffaker's letters strewn about a Tennessee barn. What they reveal is that Huffaker dreamt of flight, constructed models of flying machines, and, as the Wrights did, sought out the era's recognized experts, Samuel Langley and Octave Chanute. The latter two recognized that Huffaker was serious, and Langley even hired him, so why Huffaker abandoned the field after 1901 and returned to his previous occupation (surveying) remains a bit of a mystery. In any event, the authors credit Huffaker with a crucial insight about flight (that the Bernoulli effect explains a wing's lift), and that in itself is enough to lure aviation buffs to this biography.
At least five different Weems men settled on Long Cane Creek in Abbeville County, South Carolina before the Revolutionary War. Even today there are Weems living in Abbeville County, both white and black. For years, genealogists have been confused about who is the son of whom, but land records make it clear that '4' men; Thomas (Eleanor) Weems, Redfearn Weems, Thomas (and Elizabeth) Weems, and Henry Weems all were granted land on Long Cane Creek. While the county lines have changed dramatically over the years, Long Cane Creek remained a constant. It was here that thousands of Weems descendants, both black and white, call home. Today, DNA evidence is slowly dividing the different Weems children into family groups. Included here, are the descendants of each of those identified children; regardless of who their parent(s) was. There is most certainly missing information, errors in dates and places, and misspellings. Feel free to scribble on your book and make your corrections, and additions.
The story of a quintessential Southern pol
In the age of economic globalisation, do art and heritage matter? Once the domain of elitist practitioners and scholars, the governance of cultural heritage and the destiny of iconic artefacts have emerged as the new frontier of international law, making headlines and attracting the varied interests of academics and policy-makers, museum curators and collectors, human rights activists and investment lawyers and artists and economists, just to mention a few. The return of cultural artefacts to their legitimate owners, the recovery of underwater cultural heritage and the protection and promotion of artistic expressions are just some of the pressing issues addressed by this book. Contemporary i...
The fascinating—and troubling—story of powerful rumors that circulated and influential legends that arose in early America. Why did Elizabethan adventurers believe that the interior of America hid vast caches of gold? Who started the rumor that British officers purchased revolutionary white women’s scalps, packed them by the bale, and shipped them to their superiors? And why are people today still convinced that white settlers—hardly immune as a group to the disease—routinely distributed smallpox-tainted blankets to the natives? Rumor—spread by colonists and Native Americans alike—ran rampant in early America. In Groundless, historian Gregory Evans Dowd explores why half-truths...
"This book uncovers a largely overlooked strand of American modernism in Cornell's work that engaged with current issues through the metaphysical aspects of vernacular objects and experiences"--