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Inglés para pisos
'Inglés para Pisos' es uno de los módulos pertenecientes al certificado de profesionalidad de la ocupación de 'Gobernanta/e de Hotel', según el Real decreto 304/1996, perteneciente a la familia profesional de 'Turismo y Hostelería'. El objetivo de este manual es que el lector, al finalizar este módulo, alcance los niveles de comprensión y expresión, oral y escrita, necesarios para el desempeño del puesto de gobernanta/e. Para ello, el léxico y el comportamiento del lenguaje se centran en torno a la especialidad de pisos. Los contenidos que en él se recogen se corresponden con una duración total de 100 horas. Ideaspropias Editorial les presenta este material didáctico en el que se recogen los contenidos básicos de gramática, ortografía y fonética inglesa, así como el vocabulario básico relacionado con la actividad de un establecimiento hotelero.
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Cento vinte e cinco anos de teatro en galego
A estrea do espectáculo A fonte do xuramento constitúe un fito trascendental na posta en marcha do sistema teatral galego. Ao longo destes 125 anos foron moitas as persoas, homes e mulleres, que traballaron a prol da construción e do desenvolvemento dese sistema. Este volume, co que a Escola Superior de Arte Dramática de Galicia inicia a súa propia liña editorial, en colaboración con Galaxia, quere ser un reconto desa peripecia e, ao tempo, unha homenaxe a todas as xentes de teatro de Galicia, polo seu esforzo exemplar e xeneroso.
Ironhand
'Edie,' said George, 'we're going to do this together. I'll be right there with you. Anything, anyone trying to get you is going to have to come past me first.' But when George makes his promise he is not aware that high on the rooftops an unseen gargoyle is watching them hungrily, quivering with anticipation for the moment when it will unfold its stone wings and pounce. The thing on the roof knows that nothing is over; nothing is finished. Ironhand takes us deeper into the layers of un-London, the place where the good and the bad statues, the spits and the taints, walk and war. George and Edie must repay the debt which they owe the Gunner for his sacrifice. They must face unspeakable danger and doubt if they are to save him. This second title in the Stoneheart sequence by Charlie Fletcher will shake you with its imaginative grasp and vision. It is an epic excitement, not to be missed ...
Democracy in Europe
This book calls for a philosophical consideration of the development, challenges and successes of the European Union. The author argues that conceptual innovation is essential if progress on the European project is to be made; new meanings, rather than financial or institutional engineering solutions, will help solve the crisis. By applying a philosophical approach to diagnosing the EU crisis, the book reconsiders the basic concepts of democracy in the context of the complex reality of the EU and the globalised world where profound social and political changes are taking place. It will be of interest to students and scholars interested in EU politics, political theory and philosophy.
Flamenco on the Global Stage
The language of the body is central to the study of flamenco. From the records of the Inquisition, to 16th century literature, to European travel diaries, the Spanish dancer beguiles and fascinates. The word flamenco evokes the image of a sensuous and rebellious woman--the bailaora --whose movements seduce the audience, only to reject their attention with a stomp of defiance. The dancer's body is an agent of ideological resistance, conveying a conflicting desire for subjectivity and autonomy and implying deeply held ideas about history, national identity, femininity and masculinity. This collection of new essays provides an overview of flamenco scholarship, illuminating flamenco's narrative and chronology and addressing some common misconceptions. The contributors offer fresh perspectives on age-old themes and suggest new paradigms for flamenco as a cultural practice. Instructors considering this book for use in a course may request an examination copy here.
Sonidos Negros
How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, in the span between 1492 and 1933, the vanquished Moor became Black, and how this figure, enacted in terms of a minstrelized Gitano, paradoxically came to represent Spain itself. The imagined Gypsy about which flamenco imagery turns dances on a knife's edge delineating Christian and non-Christian, White and Black worlds. This figure's subversive teetering undermines Spain's symbolic linkage of religion with race, a prime weapon of conquest. Flamenco's Sonidos Negros live in this precarious balance, amid the purposeful confusion and ruckus cloaking embodied resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by enslavement and colonization.
The Dance that Makes You Vanish
Indonesian court dance is famed for its sublime calm and stillness, yet this peaceful surface conceals a time of political repression and mass killing. Rachmi Diyah Larasati reflects on her own experiences as an Indonesian national troupe dancer from a family of persecuted female dancers and activists, examining the relationship between female dancers and the Indonesian state since 1965.
Spinning Mambo Into Salsa
Arguably the world's most popular partnered social dance form, salsa's significance extends well beyond the Latino communities which gave birth to it. The growing international and cross-cultural appeal of this Latin dance form, which celebrates its mixed origins in the Caribbean and in Spanish Harlem, offers a rich site for examining issues of cultural hybridity and commodification in the context of global migration. Salsa consists of countless dance dialects enjoyed by varied communities in different locales. In short, there is not one dance called salsa, but many. Spinning Mambo into Salsa, a history of salsa dance, focuses on its evolution in three major hubs for international commercial...
