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What if mother doesn’t know best…? In a close-knit English village, Chrissy and Alice were once best friends. So were their sons, Leo and Robbie. Until the night Leo killed Robbie with a single, devastating punch. Now Leo has gone to prison, Chrissy has lost her pub, and Alice has been pouring her anger into a twisted project . . . As Leo’s parole date approaches, the villagers are incensed and fearful about the prospect of his return. But when Chrissy arrives to collect Leo from prison, he isn’t there. The staff tell her he has already been released, but nobody knows where he’s gone. As the village closes ranks, Chrissy realizes her former friends are suspects in her son’s disappearance, not the least of which is still-bitter Alice. Is Leo being punished for what happened that terrible night? Or do the answers lie further back, in a dark past none of them wants to revisit?
This book demonstrates that since the 1970s, British feminist cartoons and comics have played an important part in the Women’s Movement in Britain. A key component of this has been humour. This aspect of feminist history in Britain has not previously been documented. The book questions why and how British feminists have used humour in comics form to present serious political messages. It also interrogates what the implications have been for the development of feminist cartoons and for the popularisation of feminism in Britain. The work responds to recent North American feminist comics scholarship that concentrates on North American autobiographical comics of trauma by women. This book high...
Packed with unforgettable characters, sharp wits, and wild plots, a bastard noble with dreams of the theatre and the ruthless first-queen are both caught up in a tangled web of murder and court intrigue in this savagely funny dark fantasy. When Sir Harrance 'Harry' Larksdale, bastard brother of the king, falls for a mysterious lad from the mountains, he is unwillingly caught up in a chaotic world of court intrigue and murderous folk tales. Meanwhile Queen Carmotta Il'Lunadella, First-Queen of the Brintland, needs to save her life and her unborn child. With the Third-Queen plotting against her, and rumours of coups rocking the court, Carmotta can rely only on her devious mind and venomous wit. But deep within the walls of Becken Keep squats the keep-within – patient, timeless, and evil. To speak of the keep-within outside the walls of Becken Keep guarantees your bizarre and agonising demise within nine days. All the while, people fearfully whisper the name Red Marie: a bloodied demon with rusted nails for teeth and swinging scythes who preys on the innocent. Harry and Carmotta are clinging to their dreams, their lives, by threads. And, beneath all, the keep-within awaits.
Alan Moore: Portrait of an Extraordinary Gentleman contains comic strips, illustrations, essays, articles, anecdotes and other pieces contributed by top American, English, and international comics creators paying tribute to the master of comic book writing, Alan Moore (creator of Watchmen and From Hell), as he celebrates his 50th year. Over a hundred contributors include Neil Gaiman, Will Eisner, Bill Sienkiewicz, Dave Gibbons, Denis Kitchen, David Lloyd, Jim Valentino, Sergio Toppi, Bryan Talbot, Steve Parkhouse, Mark Millar, Howard Cruse, James Kochalka, José Villarrubia, Sam Kieth, Dave Sim, Oscar Zarate, DJ Paul Gambaccini, and novelist Darren Shan, to name just a few. The book jacket will feature a new photgraph by Piet Corr and other features will include interviews, biographies, and new and rare photographs.
The March/April 2025 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Samantha Mills, G. Willow Wilson, Wen-yi Lee, Charlie Jane Anders, Eugenia Triantafyllou, Stephanie Malia Morris, Kirsty Logan and J.L. Akagi. Essays by John Wiswell, Angela Liu, Amanda-Rae Prescott, and J.R. Dawson, poetry by Rafiat Lamidi, Ai Jiang, Abdulrazaq Salihu, and Lesley Hart Gunn, interviews with Wen-yi Lee and Eugenia Triantafyllou by Caroline M. Yoachim, a cover by Galen Dara, and an editorial by Lynne M. Thomas and Michael Damian Thomas. Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019, 2020, 2022, 2023 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, Betsy Aoki, and Monte Lin, each issue of Uncanny includes new stories, poetry, articles, and interviews.
Terror Scribes is a satisfyingly diverse anthology, furnished with nebulous, original tales guaranteed to set your teeth on edge and give you bouts of gooseflesh. From the home-grown talent of Sue Phillips to prolific US gore-hound Deb Hoag, from the satirists to the psychopaths to the traditionalists, from demonic possession of celebrities to masturbating werewolves, from hair-raising fairytales to disturbing accounts of everyday terror, you will shiver and gasp and question. We are not oblivious to the fear Terror Scribes will evoke. Quite the contrary, we're advocates of it . . .
The November/December 2024 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Adrian Tchaikovsky, William Alexander, Sonya Taaffe, Lauren Beukes, Marissa Lingen, Naomi Day, and Angel Leal. Essays by Vivian Shaw, Tania Chen, Tansy Rayner Roberts, and Alex Jennings, poetry by Brandon O'Brien, Sneha Mohidekar, Abu Bakr Sadiq, and Katherine James, interviews with William Alexander and Marissa Lingen by Caroline M. Yoachim, a cover by Julie Dillon, and an editorial by Lynne M. Thomas and Michael Damian Thomas. Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019, 2020, 2022, 2023 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, Betsy Aoki, and Monte Lin, each issue of Uncanny includes new stories, poetry, articles, and interviews.
The January/February 2025 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Scott Lynch, J.R. Dawson, Tia Tashiro, Tade Thompson, Mary Robinette Kowal, Rati Mehotra, and AnaMaria Curtis. Essays by Nicholas Whyte, Ai Jiang, A.T. Greenblatt, and Suzanne Walker, poetry by Kaliee Pedersen, Mari Ness, Shankar Narayan, and E. N. Díaz, interviews with Scott Lynch and Rati Mehotra by Caroline M. Yoachim, a cover by Maxine Vee, and an editorial by Lynne M. Thomas and Michael Damian Thomas. Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019, 2020, 2022, 2023 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, Betsy Aoki, and Monte Lin, each issue of Uncanny includes new stories, poetry, articles, and interviews.
Laura Tobin's a private investigator who's summoned to investigate a very peculiar murder --- one that occurs in The City of the Saved-a haven at the end of the Universe, populated by every human being or pseudo-human being who's ever lived. Except that in the City, all murders are literally impossible. But Laura's got a very dead body to prove otherwise. As part of her investigation, Laura will come across the machinations of the various powers within the City, including the Rump Parliament and the City Council and more --- and also perhaps the Secret Archiects who built the City in the first place. And then there's Faction Paradox, a group of time-travelling ritualists, saboteurs and subterfugers -- essentially, the criminal-cult to end all criminal-cults. As always, the Faction's trying to subvert history to its own ends, preferably by letting its rivals kill each other off, then swooping in to seize whatever's left -- presuming the Universe survives the conflict...