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The Abridged History of Rainfall
Jay Hopler's second collection, a mourning song for his father, is an elegy of uproar, a careening hymn to disaster and its aftermath. In lyric poems by turns droll and desolate, Hopler documents the struggle to live in the face of great loss, a task that sends him ranging through Florida's torrid subtropics, the mountains of the American West, the streets of Rome, and the Umbrian countryside. Vivid, dynamic, unrestrained: The Abridged History of Rainfall is a festival of glowing saints and fighting cocks, of firebombs and birdsong.
Green Squall
A collection of poems by Jay Hopler, winner of the 2005 Yale Series of Younger Poets competition.
Still Life
A Pulitzer Prize finalist. Confronted with a terminal cancer diagnosis, Jay Hopler (1970-2022)--author of the National Book Award-finalist The Abridged History of Rainfall--got to work. The result of that labor is Still Life, a collection of poems that are heartbreaking, terrifying, and deeply, darkly hilarious. In an attempt to find meaning in a life ending right before his eyes, Hopler squares off against monsters real and imagined, personal and historical, and tries not to flinch. This work is no elegy; it's a testament to courage, love, compassion, and the fierceness of the human heart. It's a violently funny but playfully serious fulfillment of what Arseny Tarkovsky called the fundamental purpose of art: a way to prepare for death, be it far in the future or very near at hand.
Before the Door of God
Before the Door of God traces the development of devotional English-language poetry from its origins in ancient hymnody to its current twenty-first-century incarnations. The poems in this volume demonstrate not only that devotional poetry—poetry that speaks to the divine—remains in vigorous practice, but also that the tradition reaches back to the very origins of poetry in English. There is a sense in these pages that the tradition of lyric poetry that developed was nearly inevitable, given the inherent concerns of the genre. Featuring the work of poets over a three-thousand-year period, Before the Door of God places the devotional lyric in its cultural, historical, and aesthetic contexts. The volume traces the various influences on this tradition and identifies features that persist in devotional lyric poetry across centuries, cultures, and stylistic differences. To scholars, literary professionals, and general readers who find delight in fine poetry, this anthology offers much to contemplate and discuss.
Stars Shall Bend Their Voices
In ''Stars Shall Bend Their Voices,'' some of the most respected living poets meditate on the role of hymns and spiritual songs in their lives and writing. Representing many spiritual traditions and many approaches to personal spiritual practice, Stars Shall Bend Their Voices is a testament to the lasting impact of spiritual music on many of today's best poets.
Danzirly
Danzirly is a stunning bilingual poetry collection that considers multigenerational Latinx identities in the rapidly changing United States. Winner of the Academy of American Poets' Ambroggio Prize, Gloria Muñoz's collection is an unforgettable reckoning of the grief and beauty that pulses through twenty-first-century America.
The Killing Spirit
Smart, stylish and deadly, THE KILLING SPIRIT is the ultimate anthology of literary noir. Enter a world of chaos and violence--the world of the hit man--as interpreted by some of the most acclaimed writers of our time, from Hemingway to Highsmith--where the only order is that imposed by an assassin's bullet. "(Jay) Hopler has tracked down a remarkable number of hit-man stories by a remarkable collection of authors".--NEW YORK PRESS.
Music for a Wedding
The poems in Lauren Clark's debut book, Music for a Wedding, move fluidly and unforgettably between the rituals of monogamy, death, loneliness, and the body in search of what might last forever. In the abandonment of those who die and those who leave, Clark's speakers are orphic in their use of song as a mode of enduring the hours. Like sybils, Clark's poems make the entrails of what's left behind luminous, even if what is presented is darkness, "that low velvet we make / within ourselves". Their poetry is at once free of the formalities associated with lyric poetry and full of its own novel shapes that only Clark could devise. Their poetry queers our understanding of poetics and what a book of poems can be by dwelling in intimate corners of the self that may seem otherwise insensate without their taking us in to witness such depths. In Clark's hands, the whole of the world--in poetry and on the ground--is preternatural, requiring of us dedication and devotion. But not to the usual rituals of mourning and prayer. Rather, "darkness is to remind [us] what [we] could not see before", that in the absence of being with others, the only true devotion left is grief.
Star Wars
Star Wars: The Triumph of Nerd Culture engagingly reveals how the most popular film franchise of all time sprang from the mind of a deeply insecure nerd, who then inspired and betrayed a generation of fans. In Star Wars: The Triumph of Nerd Culture, Josef Benson offers an unauthorized and provocative expose of the most popular film franchise of all time. Fueled by George Lucas’s insecurities and a fervent fan-base who felt betrayed when Lucas defiled the original films, Benson presents the conflict between Lucas and Star Wars fans as comparable to the twisted relationship between Darth Vader and Luke Skywalker. Just as there is a riveting saga within the Star Wars universe that centers on ...
Radial Symmetry
Katherine Larson is the winner of the 2010 Yale Series of Younger Poets Competition. With "Radial Symmetry," she has created a transcendent body of poems that flourish in the liminal spaces that separate scientific inquiry from empathic knowledge, astute observation from sublime witness. Larson's inventive lyrics lead the reader through vertiginous landscapes - geographical, phenomenological, psychological - while always remaining attendant to the speaker's own fragile, creaturely self. An experienced research scientist and field ecologist, Larson dazzles with these sensuous and sophisticated poems, grappling with the powers of poetic imagination as well as the frightful realization of the human capacity for ecological destruction. The result is a profoundly moving collection: eloquent in its lament and celebration. Metamorphosis [an excerpt]: We dredge the stream with soup strainers and separate dragonfly and damselfly nymphs - their eyes like inky bulbs, jaws snapping at the light as if the world was full of tiny traps, each hairpin mechanism tripped for transformation. Such a ricochet of appetites insisting life, life, life against the watery dark, the tuberous reeds.
