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Plainfield, Indiana was settled by Quakers in the early 1800s. Explore the town's past in images of the old town and its development. In 1820, abolitionist Quakers from North Carolina settled in Plainfield, Indiana. These early settlers provided the foundation for Plainfield's rich heritage, which has evolved into today's diverse blend of residents. In 1832, Levi Jessup and Elias Hadley platted the town of Plainfield with 64 lots straddling the National Road. The record of the first lot sold is dated May 2, 1833--much has happened since that day. Images of America: Plainfield presents a visual journey into Plainfield's past through nostalgic images of early downtown buildings, the Indiana Boys' School, the railroad, schools, churches, and much more.
Presents a diverse collection of representative texts from a group of international critics. In addition to exemplary novels from established writers, such as Edora Welty, Flannery O'Conner, Carson McCullers, and Cormac McCarthy, works explored here include poetry, a play, and a fairy tale novella.
This is a comprehensive overview of zombie movies in the first 11 years of the new millennium, the most dynamic and vital period yet in the history of the zombie genre. It serves not only as a follow-up to its predecessor (The Zombie Movie Encyclopedia, McFarland 2001), which covered movies from 1932 up until the late 1990s, but also as a fresh exploration of what uniquely defines the genre in the 2000s. In-depth entries provide critical analysis of the zombie as creature in more than 280 feature-length movies, from 28 countries and filmed on six continents. An appendix offers shorter entries for more than 100 shorts and serials.
Jay and Ben is an interactive book developed for childen with developmental and learning differences, including autism spectrum disorder, ADHD and dyslexia. Jay can make his own breakfast, dress himself and play by himself, but sometimes he feels sad and wishes for a friend. When a magical horse appears and befriends Jay, his wishes come true. Text is represented clearly through sequential illustrations and picture symbols, enabling students to follow the story's plot and recognise printed words. Jay and Ben can be used to support a wide array of abilities.
This book was written to venture beyond interpretations of Cormac McCarthy's characters as simple, antinomian, and non-psychological; and of his landscapes as unrelated to the violent arcs of often orphaned and always emotionally isolated and socially detached characters. As McCarthy usually eschews direct indications of psychology, his landscapes allow us to infer much about their motivations. The relationship of ambivalent nostalgia for domesticity to McCarthy's descriptions of space remains relatively unexamined at book length, and through less theoretical application than close reading. By including McCarthy's latest book, this study offer the only complete study of all nine novels. Within McCarthy studies, this book extends and complicates a growing interest in space and domesticity in his work. The author combines a high regard for McCarthy's stylistic prowess with a provocative reading of how his own psychological habits around gender issues and family relations power books that only appear to be stories of masculine heroics, expressions of misogynistic fear, or antinomian rejections of civilized life.