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This volume investigates the changing definitions of the author, what it has meant historically to be an 'author', and the impact that this has had on literary culture. Andrew Bennett presents a clearly-structured discussion of the various theoretical debates surrounding authorship, exploring such concepts as authority, ownership, originality, and the 'death' of the author. Accessible, yet stimulating, this study offers the ideal introduction to a core notion in critical theory.
While poetry has been the genre most closely associated with the Romantic period, the novel of the late eighteenth and early nineteenth centuries has attracted many more readers and students in recent years. Its canon has been widened to include less well known authors alongside Jane Austen, Walter Scott, Maria Edgeworth and Thomas Love Peacock. Over the last generation, especially, a remarkable range of popular works from the period have been re-discovered and reread intensively. This Companion offers an overview of British fiction written between roughly the mid-1760s and the early 1830s and is an ideal guide to the major authors, historical and cultural contexts, and later critical reception. The contributors to this volume represent the most up-to-date directions in scholarship, charting the ways in which the period's social, political and intellectual redefinitions created new fictional subjects, forms and audiences.
This book explores the tradition of fable across a wide variety of written and illustrative media, from its origins in classical antiquity to the end of the eighteenth century and beyond. It offers both a history and a poetics of the genre, presenting a body of evidence to show the stable and transhistorical qualities of fable, while showing that many individual writers consciously employed these qualities in dynamic and witty ways highly responsive to their own historical and cultural moment. Tracing the impact of classical and European models on verse and moral fables of the eighteenth century, and the use of the fable by major writers - including Dryden, Pope, Mandeville, Swift, Gay and Cowper - in their historical and literary contexts, Mark Loveridge offers a full account of a significant form of English and European literature and suggests new ways of reading eighteenth-century literature.
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Corrinne Harol reveals how secularization catalysed conservative writers to respond and thereby contribute impactfully to literary history.
What was Tragedy reconstructs the early modern poetics of tragedy with which practicing dramatists worked. In doing so, it not only illuminates recognized masterpieces but also encourages readers to explore a rich repertoire of tragic drama previously relegated to obscurity only because we lacked the language to interpret it.
At a time when the Union between Scotland and England is once again under the spotlight, Remembering the Past in Nineteenth-Century Scotland examines the way in which Scotland's national heroes were once remembered as champions of both Scottish and British patriotism.Whereas current, popular orthodoxy claims that 19th-century Scotland was a mire of sentimental Jacobitism and kow-towing unionism, this book shows that Scotland's national heroes embodied a consistent, expressive and robust view of Scottish nationality. From the potent legacy of William Wallace and Robert the Bruce, through the controversial figure of the reformer, John Knox, to the largely neglected religious radicals, the Covenanters, these heroes once played a vital role in the formation of the virtues that made 19th-century Britain great. Examined through the prism of commemoration, this book uncovers a reading of Scotland's past entirely opposed to the now dominant narratives of medieval proto-nationalism and Calvinist misery.
When a tall, dark-haired, drop-dead-gorgeous new doctor strides through the doors of Strathlochan Hospital, pulses start racing-especially Dr. Annie Webster's! Five years ago she and Nathan Shepherd broke up, and she's never gotten over it. Though they have very different recollections of their breakup, whatever the tensions between them, neither can deny the smoldering passion they still share. It's clear to Nathan they have unfinished business, and this time he's not leaving without answers...or his woman!
Beginning with the last years of the reign of Elizabeth I and ending late in the seventeenth century, this volume traces the growth of the literary marketplace, the development of poetic genres, and the participation of different writers in a century of poetic continuity, change, and transformation.